The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
“Some there are along the floor, where the columns have their bases,
and above again others pass, by far-reaching courses, along the
crowning work of the walls. Neither is the base of the deep-bosomed
dome left without light, for along the projecting stone of the curved
cornice the skilful workman suspends single lamps to bronze stakes.
As when some handmaid binds round the neck of a royal virgin a
graceful chain shining with the glitter of fiery gold; even so has our
emperor fixed round all the cornice lights in circle-wise, companions
everywhere to those below.
“There is also on the silver columns [of the Iconostasis], above their
capitals, a narrow way of access for the lamp-lighter, glittering with
bright clusters; these one might compare to the mountain-nourished
pine, or cypress with fresh branches. From a point ever-widening
circles spread down until the last is reached, even that which curves
round the base; instead of a root, bowls of silver are placed beneath
the trees, with their flaming flowers. And in the centre of this
beauteous wood, the form of the divine cross, pierced with the prints
of the nails, shines with light for mortal eyes.
“A thousand others within the temple show their gleaming light, hanging
aloft by chains of many windings. Some are placed in the aisles, others
in the centre or to east and West, or on the crowning walls, shedding
the brightness of flame. Thus the night seems to flout the light of
day, and be itself as rosy as the dawn. And whoever gazes on the
lighted trees, with their crown of circles, feels his heart warmed with
joy; and looking on a boat[82] swathed with fire, or some single lamp,
or the symbol of the Divine Christ, all care vanishes from the mind. So
with wayfarers through a cloudless night, as they see the stars rising
from point to point; one watches sweet Hesperus, another’s attention is
fixed on Taurus, and a third contemplates Boötes, or Orion and the cold
Charles’ Wain; the whole heaven, scattered with glittering stars, opens
before them, while the night seems to smile on their way.
“Thus through the spaces of the great church come rays of light,
expelling clouds of care, and filling the mind with joy. The sacred
light cheers all: even the sailor guiding his bark on the waves,
leaving behind him the unfriendly billows of the raging Pontus, and
winding a sinuous course amidst creeks and rocks, with heart fearful
at the dangers of his nightly wanderings--perchance he has left the
Ægean and guides his ship against adverse currents in the Hellespont,
awaiting with taut forestay the onslaught of a storm from Africa--does
not guide his laden vessel by the light of Cynosure, or the circling
Bear, but by the divine light of the church itself. Yet not only does
it guide the merchant at night, like the rays from the Pharos on the
coast of Africa, but it also shows the way to the living God.”
CHAPTER IV
THE AMBO
Public-domain text, read in full here on John Shaqi.
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