The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Carpentaria unlocked his front-door and entered the hall of his
dwelling, and then locked and bolted the door. He was not in the habit
of either locking or bolting his front-door; the idea of so securing
a house which stood in the middle of half a square mile of private
property, well guarded at all its gates, seemed ridiculous. Nevertheless
he did it, and he could have given no reason for doing it. He imagined
that he heard footsteps in the passage leading from the hall to the
kitchen, and he quickly turned on the electric light and looked down the
passage. But there was nothing. He decided that he was very nervous and
impressionable that night. The servants had, doubtless, long since
gone to bed. He extinguished the light and made his way upstairs to his
study, and sat down in his chair--the famous chair in which he composed
his famous melodies. The faint illumination of the May night made the
principal objects in the room vaguely visible. He could discern the pale
square of the framed autograph letter from President McKinley which
hung on the opposite wall. He tried to collect his ideas and think in a
logical sequence.
Then, again, he fancied that he heard footsteps, and that he saw a dim
form near the door.
“Who’s that?” he cried sharply.
“It’s only me,” answered a woman’s voice, and the electricity was at the
same instant switched on.
Juliette stood there.
“Why are you sitting in the dark, Carlos?” she demanded.
Carlos was her pet name for him.
“I don’t know,” he said lamely.
“My poor dear,” she smiled, approaching him. “I haven’t said good-night
to you.”
She put her long and elegant hands on his shoulders, as was her wont
each evening, and kissed him on both cheeks in her French fashion. The
affection between Carlos and his half-French half-sister was real
and profound. He liked her for her Parisian daintiness, and for the
eminently practical qualities which she possessed in common with most
Frenchwomen, and also because she regarded him as a genius. To-night he
thought she was sweeter and more sisterly than ever.
“Good-night,” she said, and her voice trembled, and a slight humidity
glistened in her eyes.
“Good-night,” he responded.
And she tripped off, swinging the perfect skirt of her black
_mousseline_ dress round the edge of the door.
“She’s mightily excited to-night,” he murmured to himself; and he
reflected, as all men reflect from time to time, that women are strange
and incomprehensible, a device invented by Providence to keep the wit of
man well sharpened by constant employment.
Public-domain text, read in full here on John Shaqi.
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