The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Five minutes, ten minutes, a quarter of an hour passed so, and then
Carpentaria heard heavy footsteps in the avenue from the direction of
the Central Way. He jumped up, shattering the illusions of Beppo, and
listened intently. A man presently appeared, walking slowly. He wondered
who it could be; but when the figure paused at Ilam’s steps, mounted
them, and pushed open the unlatched door, he saw that it was Ilam
himself, and that Ilam was holding in his arms a bundle of what looked
like black cloth. The vision of him was but transient, for Ilam
closed the door at once. Ilam, then, must have left his house before
Carpentaria had come on to the balcony. The watcher on the balcony felt
his heart beating rapidly. His calm had vanished. The frenzy of the
music, the perturbation caused by the bullet, had passed, only to give
way to another and perhaps a more dreadful excitation. What could these
secret journeys of Ilam portend? He clutched fiercely the rail of the
balcony in his apprehensive anxiety.
After a time--not a very long time--the door opened again, and for at
least five seconds Josephus Ilam stood plainly silhouetted against a
light within the house, and over his shoulders, which were bent, he
carried an enormous limp burden, draped in black. He looked back into
the house once, then turned awkwardly, because of his burden, to shut
the door behind him, and with excessive deliberation descended the steps
and came out into the avenue. The figure and its burden were now nothing
but a shape in the gloom.
Carpentaria decided in the fraction of a second what he would do. He
slipped into his bedroom, took off his boots, put on a pair of felt
slippers, scurried downstairs, opened the side-door, and gently slipped
out. Ilam, tramping slowly with clumsy footsteps, had reached the arch
leading to the Central Way.
CHAPTER VII--The Cut
Carpentaria dogged him with all the precautions of silence as he turned
to the right down the Central Way. The great thoroughfare of the City
of Pleasure was, of course, absolutely deserted. Its fountains were
stilled; its pretty cable-cars had disappeared; its flags had been
hauled down. The meagre trees rustled chilly in the night-wind. Its vast
and floriated white architecture seemed under the sombre sky to be
the architecture of a dream. The one sign of human things was the
illuminated face of the clock over the Exposition Palace, which showed
twenty-five minutes past twelve. Of the two thousand souls employed
in the City, more than half had gone to their homes in the other city,
London, and several hundreds slept in the dormitories that had been
built for them at the southern extremity of the Central Way. The
remaining hundred or so were dispersed in various parts of the City,
either watching or asleep. Some had the right to sleep at their posts.
But the men of the highly-organized fire service would be awake and
alert.
Public-domain text, read in full here on John Shaqi.
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