The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
It was the sound of his own side-door being very cautiously opened. He
could hear it perfectly clearly in the still night; but whether the door
was being opened from the outside or the inside he could not tell. He
remembered that, though he had bolted and locked the front-door, he had
utterly forgotten the side-door. He leaned over the balcony as far as
he dared, but even so he could catch no glimpse of anything in the
obscurity beneath.
And then there were steps on the gravel, and he saw a white blur moving
on the top of a dark mass. In another moment he perceived that the
apparition was Juliette, with a white shawl wrapped round her head. What
was she doing there, and why had she opened the door so cautiously? Had
she some secret? He decided to watch her. She moved to the middle of the
avenue between the two houses and hesitated. And then the great clock in
the tower of the Exposition Palace tolled the hour of twelve solemnly,
as it were warningly, over the immense extent of the sleeping City of
Pleasure.
The appeal of the clock seemed to Carpentaria to be almost dramatic. He
felt strongly that he could not spy upon Juliette, that he could not be
disloyal to this affectionate companion of his life, and honourably he
called out to her:
“Juliette, what are you doing?”
His own voice startled him. It was so clear and penetrative in the
gloom.
There was a slight pause. Then Juliette replied: “Carlos, you seem bent
on frightening me tonight. I thought you were in bed and asleep. You’ll
take cold on that balcony. I only came out to get a little air.”
The notion struck him that her head was turned directly to Ham’s house,
and yet she made no comment on the light there and the door ajar.
“Go in, there’s a good girl,” said Carpentaria. “It’s you who’ll be
taking cold.”
“I’m going in,” she answered.
And she went in.
He had yet another alarm. Something moved on the balcony itself, near a
row of flower-pots. Then he felt a pressure against his leg.
“Ah, Beppo!” he whispered, suddenly relieved, smiling at his nervous
timidity. A great Angora cat leaped on to his knees, and began clawing
at the superb pile of his purple trousers. He stroked the animal, and
Beppo purred with a volume of sound equal to that of many sawmills.
“Don’t purr so loud, Bep,” he advised the cat; but the cat, under the
impression that it was the centre of importance in the best of all
possible worlds, purred with undiminished vigour.
Public-domain text, read in full here on John Shaqi.
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