The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
As the balloon rose the general conformation of the City of Pleasure
became visible. Running almost north and south from Hammersmith Bridge
was the Central Way, the splendid private thoroughfare which had
superseded Bridge Road. It was a hundred feet wide, and its surface
was treated with westrumite, and a service of gaily coloured cable-cars
flashed along it in either direction, between the north and the south
entrances to the City. It was lined with multifarious buildings, all
painted cream--the theatre, the variety theatre, the concert hall, the
circus, the panorama, the lecture hall, the menagerie, the art gallery,
the story-tellers’ hall, the dancing-rooms, restaurants, cafés and bars,
and those numerous shops for the sale of useless and expensive souvenirs
without which the happiness of no Briton on a holiday is complete.
The footpaths, 20 feet wide, were roofed with glass, and between
the footpaths and the roadway came two rows of trees which were
industriously taking advantage of the weather to put forth their
verdure. Footpaths and road were thronged with people, and the street
was made gay, not only by the toilettes and sunshades of women, but
also by processions of elephants, camels, and other wild-fowl, bearing
children of all ages in charge of gorgeous Indians and Ethiops. From
every roof floated great crimson flags with the legend in gold: “City of
Pleasure. President: Ilam; Director: Carpentaria.” Add to this combined
effect the music of bands and the sunshine, and do not forget the virgin
creaminess of the elaborate architecture, and you will be able to form
a notion of the spectacle offered by the esplanade upon which Ilam and
Carpentaria looked down.
Midway between the north and south entrances, the Central Way expanded
itself into a circular place, with a twenty-jetted bronze fountain in
the middle. To the west was the façade of what was called the Exposition
Palace, an enormous quadrangular building, containing a huge covered
court which, with its balconies, would hold twenty thousand people on
wet days. The galleries of the palace were devoted to an exhibition of
everything that related to woman, from high-heeled shoes to thrones;
it was astonishing how many things did relate to woman. North of the
Exposition Palace stretched out the Amusements Park, where people looped
the loop, shot the chute, wheeled the wheel, switched the switchback,
etc.; and here was the balloon enclosure. South of the palace lay the
Sports Fields, where a cricket match was progressing.
Public-domain text, read in full here on John Shaqi.
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