The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Finally, and most important of all, to the east of the circular place
in Central Way rose the impressive entrance to the Oriental Gardens, the
pride of Ilam and Carpentaria. The Oriental Gardens occupied the entire
eastern side of the City, and they sloped down to the Thames. They
formed over a hundred acres of gardens, wood, and pleasaunce, laid out
with formal magnificence. Flowers bloomed there in defiance of seasons.
On every hand the eye was met by vistas of trees and shrubs, and
by lawns and statues, and lakes and fountains. In the middle was
Carpentaria’s own special bandstand. A terrace, two thousand five.
hundred feet long, bordered the river, and from the terrace jutted out a
pier at which steamers were unloading visitors.
CHAPTER II--Interviewed
The occupants of the balloon could see everything. They saw the
debarcation from the steamers; they saw the unending crowd of doll-like
persons thrown up out of the ground by the new Tube station at the
south end of Hammersmith Bridge; they saw the heavy persistent stream
of vehicles and pedestrians over the bridge; they saw the trains
approaching Barnes on the South-Western Railway; they saw the struggles
for admittance at all the gates of the City; they even saw flocks of
people streaming Cityward along the Barnes High Street and the Lower
Richmond Road. It was not for nothing that advertisements of the City of
Pleasure had filled one solid page of every daily paper in London, and
many in the provinces, for a week past. Visitors were now entering the
city at the rate of seventy thousand an hour, at a shilling a head.
There was a gentle tug beneath the car. The thousand feet of rope had
been paid out, and the balloon hung motionless.
Then a faint noise, something between the crackling of musketry and the
surge of waves on a pebbly beach, ascended from the city.
“They’re cheering,” said Josephus Ilam. “What for?”
“Cheering us, of course,” answered Carpentaria excitedly. “Isn’t it
immense?”
“Immense?” said Ilam heavily. “It’s hot. What did you want to show me up
here?”
“That!” exclaimed Carpentaria, pointing below to the city with a superb
gesture. “And that!” he added passionately, pointing with another
gesture to the whole of London, which lay spread out with all its towers
and steeples and its blanket of smoke, tremendous and interminable to
the east. “That is our prey,” he said, “our food.”
And he began to sing the Toreador song from “Carmen,” exultantly
launching the notes into the sky.
“Mr. Carpentaria,” said Josephus Ilam, with unexpected bitterness, “is
this your idea of a joke? Bringing me up here to see London and our
show, as if I didn’t know London and our show like my pocket!”
Public-domain text, read in full here on John Shaqi.
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