The City of Pleasure : $b a fantasia on modern themes — John Shaqi
The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“It’s the interest on a hundred and twenty thousand pounds,” Ilam
replied vivaciously. “And there’s another thing. It would be much
better if you employed more time in inspection instead of rehearsing and
conducting your precious band. Any fool can conduct a band. Give me a
stick and I’d do it myself. But inspection------”
“My precious band!” stammered Carpentaria, aghast.
His very soul was laid low; and considering that Carpentaria’s Band had
been famous in the capitals of two continents for twelve years at least,
it was not surprising that his soul should be laid low by this terrible
phrase.
“Yes,” said Ilam, “I’ve had enough of it.” His shoulder touched
Carpentaria’s, and his eyes--little, like a pig’s--shot arrows of light.
“Supposing I shoved you over? I should have the concern to myself then,
and no foolish interference.”
He twisted his face into a grim laugh.
“You have a sense of humour, after all, Ilam,” responded gaily the man
on the edge of the car, fingering his long red moustache, and he, too,
laughed, but he got down from his perch.
“I’d just like you to comprehend----” Ilam began again.
But at that instant a head appeared above the edge of the central
aperture of the car, and Ilam stopped.
It was the head of the young man in spectacles--gold-rimmed spectacles.
“I’m Smithers, of the _Morning Herald_,” said the young man brightly and
calmly, “and I took this opportunity of seeing you privately. Your men
objected when I got into the parachute attachment, but you told ‘em to
let go, and so they let go. I’ve had some difficulty in climbing up here
off the parachute bar. Dangerous, rather. However, I’ve done it. I dare
say you heard the crowd cheering.”
“So it was him they were cheering,” muttered Ilam, and then looked at
Carpentaria.
Ilam was not a genius in the art of conversation. He could only say what
he meant, and when the running of the City of Pleasure demanded the art
of conversation he relied on Carpentaria, even if he was furious with
him.
“What’s the game?” asked Carpentaria.
“Well,” said Smithers politely, “don’t you think I deserve an
interview?”
“You know we have absolutely declined all interviews.”
“Yes, that’s why the _Herald_ wants one so badly; that’s why I’m
dangling a thousand feet above my grave.”
Carpentaria and Ilam exchanged glances. Each read the thought of
the other--that the spectacled Smithers might have overheard their
conversation, and should therefore be handled with care, this side up.
“Leave it to me,” said the eyes of Carpentaria to the eyes of Ilam.
“Mr. Smithers, of the _Herald_”--Carpentaria blossomed into the flowers
of speech--“we heartily applaud your courage and your devotion to duty
in a profession full of perils, but you are trespassing.”
“Excuse me, I’m not,” said Smithers. “You can only trespass on land and
water, and this isn’t a salmon river or a forbidden footpath. Besides,
I’ve got my press season-ticket. Come now, talk to me.”
“We are talking to you.”
Public-domain text, read in full here on John Shaqi.
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