The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Ilam’s concealed, hatred of Carpentaria, which had been slowly growing
for more than a year, as a fire spreads secretly in the hold of a ship,
seemed to spurt out a swift tongue of flame in the acrimony of his tone.
Carpentaria was startled. Even then, in a sudden flash of illumination,
he grasped to a certain extent the import of Ilam’s attitude towards
him, but he did not grasp it fully. How should he?
“Why,” he said to himself, “I believe the old johnny dislikes mel What
on earth for?” He could not understand all Ilam’s reasons. “Pity!” he
reflected further. “If the managers of a show like this can’t hit it off
together, there may be trouble.”
In which supposition he was infinitely more right than he imagined.
He balanced himself lightly on the edge of the car, his left leg
dangling, and seized one of the field-glasses which hung secured by thin
steel chains round the inside of the wicker parapet, and putting it
to his eyes, he gazed down at the Oriental Gardens. He must have seen
something there that profoundly interested him, for the glasses remained
glued to his eyes for a long time.
“I repeat,” said Ilam firmly, standing up, “is this your idea of a
joke?”
He was close to Carpentaria, and his glance was vicious.
“My friend,” murmured Carpentaria, dropping the glasses. “What’s the
matter with you is that you aren’t an artist, not a bit of one. You are
an excellent fellow, with a splendid head for figures, and I respect
you enormously, but you haven’t the artistic sense. If you had you would
share the thrill which I feel as I survey our creation and that London
over there. You would appreciate why I brought you up here.”
“I’m a business man--a plain business man, that’s what I am,” said Ilam.
“I’ve never pretended to be an artist, and I don’t want to be an artist.
Let me tell you that I ought to be in the advertisement department, and
not canoodling my time away up here, Mr. Carpentaria.”
“My dear sir,” said Carpentaria hastily, “accept my apologies. Let us
descend at once.”
“And while I’m about it,” pursued Ilam unheedingly--his irritation was
like a stone rolling down a hill--“while I’m about it, I’ll point
out that your objection to having advertisements on the walls of the
restaurants is fatuous.”
“But, my dear Ilam,” Carpentaria protested, “people don’t care to have
to read advertisements while they’re at their meals. It puts them off.
For instance, to have it dinned into you that G. H. Mumm is the only
champagne worth drinking when you happen to be drinking Heidsieck, or to
have Wall’s sausages thrust down your throat while you are toying with
an ice-cream--people don’t like it. We must think of our patrons. And,
besides, it’s so inarti----”
“Rubbish!” said Ilam. “One way and another these ads. would be worth a
hundred’ a week to us.”
“Well, and what’s a hundred a week?”
Public-domain text, read in full here on John Shaqi.
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