The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
It is a hard service they take that help me. Many that are red-cheeked
now will be pale-cheeked; many that have been free to walk the hills
and the bogs and the rushes, will be sent to walk hard streets in far
countries; many a good plan will be broken; many that have gathered
money will not stay to spend it; many a child will be born and there
will be no father at its christening to give it a name. They that had
red cheeks will have pale cheeks for my sake; and for all that, they
will think they are well paid.
[_She goes out; her voice is heard outside singing._
They shall be remembered for ever,
They shall be alive for ever,
They shall be speaking for ever,
The people shall hear them for ever.
BRIDGET [_to PETER_].
Look at him, Peter; he has the look of a man that has got the touch.
[_Raising her voice._] Look here, Michael, at the wedding clothes.
Such grand clothes as these are! You have a right to fit them on now,
it would be a pity to-morrow if they did not fit. The boys would be
laughing at you. Take them, Michael, and go into the room and fit them
on.
[_She puts them on his arm._
MICHAEL.
What wedding are you talking of? What clothes will I be wearing
to-morrow?
BRIDGET.
These are the clothes you are going to wear when you marry Delia Cahel
to-morrow.
MICHAEL.
I had forgotten that.
[_He looks at the clothes and turns towards the inner
room, but stops at the sound of cheering outside._
PETER.
There is the shouting come to our own door. What is it has happened?
[Neighbours_ come crowding in, PATRICK and DELIA with
them._
PATRICK.
There are ships in the Bay; the French are landing at Killala!
[_PETER takes his pipe from his mouth and his hat off
and stands up. The clothes slip from MICHAEL’S arm._
DELIA.
Michael! [_He takes no notice._] Michael! [_He turns towards her._] Why
do you look at me like a stranger?
[_She drops his arm. BRIDGET goes over towards her._
PATRICK.
The boys are all hurrying down the hill-sides to join the French.
DELIA.
Michael won’t be going to join the French.
BRIDGET [_to PETER_].
Tell him not to go, Peter.
PETER.
It’s no use. He doesn’t hear a word we’re saying.
BRIDGET.
Try and coax him over to the fire.
DELIA.
Michael, Michael! You won’t leave me! You won’t join the French, and we
going to be married!
[_She puts her arms about him, he turns towards her as
if about to yield._
OLD WOMAN’S _voice outside_.
They shall be speaking for ever,
The people shall hear them for ever.
[_MICHAEL breaks away from DELIA, stands for a second
at the door, then rushes out, following the OLD WOMAN’S
voice. BRIDGET takes DELIA, who is crying silently,
into her arms._
PETER.
[_To PATRICK, laying a hand on his arm._]
Did you see an old woman going down the path?
PATRICK.
I did not, but I saw a young girl, and she had the walk of a queen.
THE GOLDEN HELMET
_PERSONS IN THE PLAY_
Public-domain text, read in full here on John Shaqi.
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