The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
CUCHULAIN
LEAGERIE
CONAL
EMER, _Cuchulain’s wife_
LEAGERIE’S WIFE
CONAL’S WIFE
LAEG, _Cuchulain’s chariot-driver_
RED MAN
HORSEBOYS AND SCULLIONS
THREE BLACK MEN
THE GOLDEN HELMET
_A house made of logs. There are two windows at the
back and a door which cuts off one of the corners of
the room. Through the door one can see rocks, which
make the ground outside the door higher than it is
within, and the sea. Through the windows one can see
nothing but the sea. There are three great chairs at
the opposite side to the door, with a table before
them. There are cups and a flagon of ale on the table._
_At the Abbey Theatre the house is orange red, and the
chairs, tables and flagons black, with a slight purple
tinge which is not clearly distinguishable from the
black. The rocks are black, with a few green touches.
The sea is green and luminous, and all the characters,
except the RED MAN and the _Black Men_ are dressed in
various tints of green, one or two with touches of
purple which looks nearly black. The _Black Men_ are
in dark purple and the RED MAN is altogether dressed
in red. He is very tall and his height is increased by
horns on the Golden Helmet. The Helmet has in reality
more dark green than gold about it. The _Black Men_
have cats’ heads painted on their black cloth caps. The
effect is intentionally violent and startling._
CONAL.
Not a sail, not a wave, and if the sea were not purring a little like a
cat, not a sound. There is no danger yet. I can see a long way for the
moonlight is on the sea. [_A horn sounds._
LEAGERIE.
Ah, there is something.
CONAL.
It must be from the land, and it is from the sea that danger comes. We
need not be afraid of anything that comes from the land. [_Looking out
of door._] I cannot see anybody, the rocks and the trees hide a great
part of the pathway upon that side.
LEAGERIE [_sitting at table_].
It sounded like Cuchulain’s horn, but that’s not possible.
CONAL.
Yes, that’s impossible. He will never come home from Scotland. He
has all he wants there. Luck in all he does. Victory and wealth and
happiness flowing in on him, while here at home all goes to rack, and a
man’s good name drifts away between night and morning.
LEAGERIE.
I wish he would come home for all that, and put quiet and respect for
those that are more than she is into that young wife of his. Only this
very night your wife and my wife had to forbid her to go into the
dining-hall before them. She is young, and she is Cuchulain’s wife, and
so she must spread her tail like a peacock.
CONAL [_at door_].
I can see the horn-blower now, a young man wrapped in a cloak.
LEAGERIE.
Do not let him come in. Tell him to go elsewhere for shelter. This is
no place to seek shelter in.
CONAL.
That is right. I will tell him to go away, for nobody must know the
disgrace that is to fall upon Ireland this night.
Public-domain text, read in full here on John Shaqi.
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