I I wish that the American artists whose lot is cast in the pleasant domain of caricature would learn something of the charm of moderation and the strength of restraint. Their “cartoons” yell; one looks at them with one’s fingers in one’s ears. Did you ever observe and consider the dragon in Chinese art? With what an awful ferocity it is endowed by its creator—the expanded mouth with its furniture of curling tongue and impossible teeth, its big, fiery eyes, scaly body, huge claws and spiny back! All the horrible qualities the artist knows he lavishes upon this pet of his imagination. The result is an animal which one rather wishes to meet and would not hesitate to cuff. Unrestricted exaggeration has defeated its own purpose and made ludicrous what was meant to be terrible. That is, the artist has lacked the strength of restraint. A true artist could so represent the common domestic bear, or the snake of the field, as to smite the spectator with a nameless dread. He could do so by merely giving to the creature’s eye an expression of malevolence which would need no assistance from claw, fang or posture. The American newspaper cartoonist errs in an infantile way similar to that of the Chinese; by intemperate exaggeration he fails of his effect. His men are not men at all, so it is impossible either to respect or detest them, or to feel toward them any sentiment whatever. As well try to evoke a feeling for or against a wooden Indian, a butcher’s-block, or a young lady’s favorite character in fiction. His deformed and distorted creations are entirely outside the range of human sympathy, antipathy, or interest. They are not even amusing. They are disgusting and, as in the case of foul names, the object of the disgust which they inspire is not the person vilified, but the person vilifying. Perhaps I am not the average reader, but it is a fact that I frequently read an entire newspaper page of which one of these cartoons is the most conspicuous object, without once glancing at the picture’s title or observing what it is all about. I have the same unconscious reluctance to see it that I have to see anything else offensive. I once sat reading a Republican newspaper. The whole upper half of the page consisted of a cartoon by a well-known artist. It represented Mr. Bryan, the Democratic candidate for the Presidency, standing on his head in a crowd (which I think he would do if it would make him President, and I don’t know that it would not) but I did not then observe it. The artist himself sat near by, narrowly watching me, which I did observe. A little while after I had laid down the paper he said carelessly: “O, by the way, what do you think of my cartoon of Bryan with his heels in the air?” And—Heaven help me!—I replied that I had been a week out of town and had not seen the newspapers!