The collected works of William Hazlitt, Vol. 01 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
It has been attempted of late to set up a distinction between the
education _of words_, and the education _of things_, and to give the
preference in all cases to the latter. But, in the first place, the
knowledge of things, or of the realities of life, is not easily to be
taught except by things themselves, and, even if it were, is not so
absolutely indispensable as it has been supposed. ‘The world is too much
with us, early and late’; and the fine dream of our youth is best
prolonged among the visionary objects of antiquity. We owe many of our
most amiable delusions, and some of our superiority, to the grossness of
mere physical existence, to the strength of our associations with words.
Language, if it throws a veil over our ideas, adds a softness and
refinement to them, like that which the atmosphere gives to naked
objects. There can be no true elegance without taste in style. In the
next place, we mean absolutely to deny the application of the principle
of utility to the present question. By an obvious transposition of
ideas, some persons have confounded a knowledge of useful things with
useful knowledge. Knowledge is only useful in itself, as it exercises or
gives pleasure to the mind: the only knowledge that is of use in a
practical sense, is professional knowledge. But knowledge, considered as
a branch of general education, can be of use only to the mind of the
person acquiring it. If the knowledge of language produces pedants, the
other kind of knowledge (which is proposed to be substituted for it) can
only produce quacks. There is no question, but that the knowledge of
astronomy, of chemistry, and of agriculture, is highly useful to the
world, and absolutely necessary to be acquired by persons carrying on
certain professions: but the practical utility of a knowledge of these
subjects ends there. For example, it is of the utmost importance to the
navigator to know exactly in what degree of longitude and latitude such
a rock lies: but to us, sitting here about our Round Table, it is not of
the smallest consequence whatever, whether the map-maker has placed it
an inch to the right or to the left; we are in no danger of running
against it. So the art of making shoes is a highly useful art, and very
proper to be known and practised by some body: that is, by the
shoemaker. But to pretend that every one else should be thoroughly
acquainted with the whole process of this ingenious handicraft, as one
branch of useful knowledge, would be preposterous. It is sometimes
asked, What is the use of poetry? and we have heard the argument carried
on almost like a parody on _Falstaff’s_ reasoning about Honour. ‘Can it
set a leg? No. Or an arm? No. Or take away the grief of a wound? No.
Poetry hath no skill in surgery then? No.’ It is likely that the most
enthusiastic lover of poetry would so far agree to the truth of this
statement, that if he had just broken a leg, he would send for a
surgeon, instead of a volume of poems from a library. But, ‘they that
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