The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
landing-place in Mitre-court, he stopped me to observe, that ‘he thought
Mr. C—— a very clever man, with a great command of language, but that he
feared he did not always affix very precise ideas to the words he used.’
After he was gone, we had our laugh out, and went on with the argument
on the nature of Reason, the Imagination, and the Will. I wish I could
find a publisher for it: it would make a supplement to the _Biographia
Literaria_ in a volume and a half octavo.
Those days are over! An event, the name of which I wish never to
mention, broke up our party, like a bomb-shell thrown into the room: and
now we seldom meet—
‘Like angels’ visits, short and far between.’
There is no longer the same set of persons, nor of associations. L——
does not live where he did. By shifting his abode, his notions seem less
fixed. He does not wear his old snuff-coloured coat and breeches. It
looks like an alteration in his style. An author and a wit should have a
separate costume, a particular cloth: he should present something
positive and singular to the mind, like Mr. Douce of the Museum. Our
faith in the religion of letters will not bear to be taken to pieces,
and put together again by caprice or accident. L. H—— goes there
sometimes. He has a fine vinous spirit about him, and tropical blood in
his veins: but he is better at his own table. He has a great flow of
pleasantry and delightful animal spirits: but his hits do not tell like
L——’s; you cannot repeat them the next day. He requires not only to be
appreciated, but to have a select circle of admirers and devotees, to
feel himself quite at home. He sits at the head of a party with great
gaiety and grace; has an elegant manner and turn of features; is never
at a loss—_aliquando sufflaminandus erat_—has continual sportive sallies
of wit or fancy; tells a story capitally; mimics an actor, or an
acquaintance to admiration; laughs with great glee and good humour at
his own or other people’s jokes; understands the point of an equivoque,
or an observation immediately; has a taste and knowledge of books, of
music, of medals; manages an argument adroitly; is genteel and gallant,
and has a set of bye-phrases and quaint allusions always at hand to
produce a laugh:—if he has a fault, it is that he does not listen so
well as he speaks, is impatient of interruption, and is fond of being
looked up to, without considering by whom. I believe, however, he has
pretty well seen the folly of this. Neither is his ready display of
personal accomplishment and variety of resources an advantage to his
writings. They sometimes present a desultory and slip-shod appearance,
owing to this very circumstance. The same things that tell, perhaps,
best, to a private circle round the fireside, are not always
intelligible to the public, nor does he take pains to make them so. He
is too confident and secure of his audience. That which may be
entertaining enough with the assistance of a certain liveliness of
Public-domain text, read in full here on John Shaqi.
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