The collected works of William Hazlitt, Vol. 08 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 08 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 08 (of 12)
Hazlitt, William
English essays -- 19th century
The superiority of Shakspeare’s natural genius for comedy cannot be
better shewn than by a comparison between his comic characters and those
of Ben Jonson. The matter is the same: but how different is the manner!
The one gives fair-play to nature and his own genius, while the other
trusts almost entirely to imitation and custom. Shakspeare takes his
groundwork in individual character and the manners of his age, and
raises from them a fantastical and delightful superstructure of his own:
the other takes the same groundwork in matter-of-fact, but hardly ever
rises above it; and the more he strives, is but the more enveloped ‘in
the crust of formality’ and the crude circumstantials of his subject.
His genius (not to profane an old and still venerable name, but merely
to make myself understood) resembles the grub more than the butterfly,
plods and grovels on, wants wings to wanton in the idle summer’s air,
and catch the golden light of poetry. Ben Jonson is a great borrower
from the works of others, and a plagiarist even from nature; so little
freedom is there in his imitations of her, and he appears to receive her
bounty like an alms. His works read like translations, from a certain
cramp manner, and want of adaptation. Shakspeare, even when he takes
whole passages from books, does it with a spirit, felicity, and mastery
over his subject, that instantly makes them his own; and shews more
independence of mind and original thinking in what he plunders without
scruple, than Ben Jonson often did in his most studied passages, forced
from the sweat and labour of his brain. His style is as dry, as literal,
and meagre, as Shakspeare’s is exuberant, liberal, and unrestrained. The
one labours hard, lashes himself up, and produces little pleasure with
all his fidelity and tenaciousness of purpose: the other, without
putting himself to any trouble, or thinking about his success, performs
wonders,—
‘Does mad and fantastic execution,
Engaging and redeeming of himself,
With such a careless force and forceless[3] care,
As if that luck, in very spite of cunning,
Bade him win all.’
Public-domain text, read in full here on John Shaqi.
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