The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
Let us take the Spirit of Monarchy in its highest state of exaltation,
in the moment of its proudest triumph—a Coronation-day. We now see it in
our mind’s eye; the preparation of weeks—the expectation of months—the
seats, the privileged places, are occupied in the obscurity of night,
and in silence—the day dawns slowly, big with the hope of Cæsar and of
Rome—the golden censers are set in order, the tables groan with
splendour and with luxury—within the inner space the rows of peeresses
are set, and revealed to the eye decked out in ostrich feathers and
pearls, like beds of lilies sparkling with a thousand dew-drops—the
marshals and the heralds are in motion—the full organ, majestic, peals
forth the Coronation Anthem—every thing is ready—and all at once the
Majesty of kingdoms bursts upon the astonished sight—his person is
swelled out with all the gorgeousness of dress, and swathed in bales of
silk and golden tissues—the bow with which he greets the assembled
multitude, and the representatives of foreign kings, is the climax of
conscious dignity, bending gracefully on its own bosom, and instantly
thrown back into the sightless air, as if asking no recognition in
return—the oath of mutual fealty between him and his people is taken—the
fairest flowers of female beauty precede the Sovereign, scattering
roses; the sons of princes page his heels, holding up the robes of
crimson and ermine—he staggers and reels under the weight of royal pomp,
and of a nation’s eyes; and thus the pageant is launched into the open
day, dazzling the sun, whose beams seem beaten back by the sun of
royalty—there were the warrior, the statesman, and the mitred head—there
was Prince Leopold, like a panther in its dark glossy pride, and
Castlereagh, clad in triumphant smiles and snowy satin, unstained with
his own blood—the loud trumpet brays, the cannon roars, the spires are
mad with music, the stones in the street are startled at the presence of
a king:—the crowd press on, the metropolis heaves like a sea in restless
motion, the air is thick with loyalty’s quick pants in its monarch’s
arms—all eyes drink up the sight, all tongues reverberate the sound—
‘A present deity they shout around,
A present deity the vaulted roofs rebound!’
Public-domain text, read in full here on John Shaqi.
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