The Colonial Cavalier; or, Southern Life before the RevolutionGoodwin, Maud Wilder
History
The Colonial Cavalier; or, Southern Life before the Revolution
Goodwin, Maud Wilder
Southern States -- Social life and customs -- To 1775; Upper class -- Southern States
we must study them as the "Autocrat" tells us we should all be studied,
for at least a century before birth.
The Colonial Cavalier must be painted, like a Rembrandt, with high lights
and deep shadows. It is idle to ignore his weaknesses or his vices. They
are of the kind that insist on notice. Yet, with all his faults, he will
surely prove well worth our serious consideration, and however wide we
open our eyes to his defects, however we seek to brush away the illusions
with which tinsel hero-worship has surrounded him, we shall still find
him, judged as he has a right to be, at his best, closely approaching
Lowell's definition of a gentleman: "A man of culture, a man of
intellectual resources, a man of public spirit, a man of refinement, with
that good taste which is the conscience of the mind, and that conscience
which is the good taste of the soul."
This little volume makes no pretensions to the dignity of a history. It
aims only, through local gossip and homely details of life and customs, to
open a side-door, through which we may, perchance, gain a sense of
fireside intimacy with _The Colonial Cavalier_.
His Home
[Illustration: The Colonial Cavalier
His Home]
I stood in the wide hall of the old brick mansion built, a century and a
half ago, by "King Carter," on the shore of the James River.
It was Autumn. The doors at either end of the saloon were open, and their
casements framed the landscape like a picture. From the foot of the
moss-grown steps at the rear, the drive stretched its length, under
several closed gates, for half a mile, till it joined the little travelled
high-road. From the porch in front, the ground fell away, in what had once
been a series of terraces, to the brink of the river, across whose western
hills the November sun was setting red. Not a ripple stirred the surface
of the water--the dead leaves on the ground never rustled. All was still;
solitary, yet not melancholy. The place seemed apart from the present--a
part of the past.
Within doors, everything was mellowed by the softening touch of twilight
and age. The hospitable fire which blazed in the great throat of the
library chimney, cast odd shadows on the high wainscot, and the delicately
wrought mouldings over the chimney-breast, and its reflections danced in
the small panes of the heavily framed windows as though the witches were
making tea outside.
Public-domain text, read in full here on John Shaqi.
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