Biographical fiction; French fiction -- Translations into English
Madame d’Espard had, for the last seven years, been very much the
fashion in Paris, where Fashion can raise and drop by turns various
personages who, now great and now small, that is to say, in view or
forgotten, are at last quite intolerable--as discarded ministers are,
and every kind of decayed sovereignty. These flatterers of the past,
odious with their stale pretensions, know everything, speak ill of
everything, and, like ruined profligates, are friends with all the
world. Since her husband had separated from her in 1815, Madame d’Espard
must have married in the beginning of 1812. Her children, therefore,
were aged respectively fifteen and thirteen. By what luck was the mother
of a family, about three-and-thirty years of age, still the fashion?
Though Fashion is capricious, and no one can foresee who shall be her
favorites, though she often exalts a banker’s wife, or some woman of
very doubtful elegance and beauty, it certainly seems supernatural when
Fashion puts on constitutional airs and gives promotion for age. But
in this case Fashion had done as the world did, and accepted Madame
d’Espard as still young.
The Marquise, who was thirty-three by her register of birth, was
twenty-two in a drawing-room in the evening. But by what care, what
artifice! Elaborate curls shaded her temples. She condemned herself to
live in twilight, affecting illness so as to sit under the protecting
tones of light filtered through muslin. Like Diane de Poitiers, she used
cold water in her bath, and, like her again, the Marquise slept on a
horse-hair mattress, with morocco-covered pillows to preserve her hair;
she ate very little, only drank water, and observed monastic regularity
in the smallest actions of her life.
Public-domain text, read in full here on John Shaqi.
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