Biographical fiction; French fiction -- Translations into English
If an arid soul enabled her to play her part to the life, her person was
no less available for it. She had a youthful figure. Her voice was, at
will, soft and fresh, or clear and hard. She possessed in the highest
degree the secret of that aristocratic pose by which a woman wipes out
the past. The Marquise knew well the art of setting an immense space
between herself and the sort of man who fancies he may be familiar after
some chance advances. Her imposing gaze could deny everything. In her
conversation fine and beautiful sentiments and noble resolutions flowed
naturally, as it seemed, from a pure heart and soul; but in reality she
was all self, and quite capable of blasting a man who was clumsy in
his negotiations, at the very time when she was shamelessly making a
compromise for the benefit of her own interest.
Rastignac, in trying to fasten on to this woman, had discerned her to
be the cleverest of tools, but he had not yet used it; far from handling
it, he was already finding himself crushed by it. This young Condottiere
of the brain, condemned, like Napoleon, to give battle constantly, while
knowing that a single defeat would prove the grave of his fortunes, had
met a dangerous adversary in his protectress. For the first time in his
turbulent life, he was playing a game with a partner worthy of him. He
saw a place as Minister in the conquest of Madame d’Espard, so he was
her tool till he could make her his--a perilous beginning.
The Hotel d’Espard needed a large household, and the Marquise had
a great number of servants. The grand receptions were held in the
ground-floor rooms, but she lived on the first floor of the house. The
perfect order of a fine staircase splendidly decorated, and rooms fitted
in the dignified style which formerly prevailed at Versailles, spoke of
an immense fortune. When the judge saw the carriage gates thrown open
to admit his nephew’s cab, he took in with a rapid glance the lodge, the
porter, the courtyard, the stables, the arrangement of the house,
the flowers that decorated the stairs, the perfect cleanliness of the
banisters, walls, and carpets, and counted the footmen in livery who, as
the bell rang, appeared on the landing. His eyes, which only yesterday
in his parlor had sounded the dignity of misery under the muddy clothing
of the poor, now studied with the same penetrating vision the furniture
and splendor of the rooms he passed through, to pierce the misery of
grandeur.
“M. Popinot--M. Bianchon.”
Public-domain text, read in full here on John Shaqi.
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