Biographical fiction; French fiction -- Translations into English
The two names were pronounced at the door of the boudoir where the
Marquise was sitting, a pretty room recently refurnished, and looking
out on the garden behind the house. At the moment Madame d’Espard was
seated in one of the old rococo armchairs of which Madame had set the
fashion. Rastignac was at her left hand on a low chair, in which he
looked settled like an Italian lady’s “cousin.” A third person was
standing by the corner of the chimney-piece. As the shrewd doctor had
suspected, the Marquise was a woman of a parched and wiry constitution.
But for her regimen her complexion must have taken the ruddy tone
that is produced by constant heat; but she added to the effect of her
acquired pallor by the strong colors of the stuffs she hung her rooms
with, or in which she dressed. Reddish-brown, marone, bistre with a
golden light in it, suited her to perfection. Her boudoir, copied from
that of a famous lady then at the height of fashion in London, was in
tan-colored velvet; but she had added various details of ornament which
moderated the pompous splendor of this royal hue. Her hair was dressed
like a girl’s in bands ending in curls, which emphasized the rather
long oval of her face; but an oval face is as majestic as a round one is
ignoble. The mirrors, cut with facets to lengthen or flatten the face at
will, amply proved the rule as applied to the physiognomy.
On seeing Popinot, who stood in the doorway craning his neck like a
startled animal, with his left hand in his pocket, and the right hand
holding a hat with a greasy lining, the Marquise gave Rastignac a look
wherein lay a germ of mockery. The good man’s rather foolish appearance
was so completely in harmony with his grotesque figure and scared looks,
that Rastignac, catching sight of Bianchon’s dejected expression of
humiliation through his uncle, could not help laughing, and turned away.
The Marquise bowed a greeting, and made a great effort to rise from her
seat, falling back again, not without grace, with an air of apologizing
for her incivility by affected weakness.
At this instant the person who was standing between the fireplace and
the door bowed slightly, and pushed forward two chairs, which he offered
by a gesture to the doctor and the judge; then, when they had seated
themselves, he leaned against the wall again, crossing his arms.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account