Didactic fiction; Political fiction; Social problems -- Fiction
"I had already promised myself the pleasure for to-day," Jackson
replied quickly, using a phrase he had thought up on his way into the
room.
And as he looked at her resting in her deep chair, he realized that it
was a distinct pleasure to be there. He felt that here in Chicago even
in the ugly drawing-room of the old-fashioned house Mrs. Will Phillips
was much more of a person than she had been in Paris. Still, here as
there, the woman in her was the first and last fact. She was
thirty-seven, and in the very best of health. To one who did not lay
exclusive emphasis on mere youth, the first bloom of the fruit, she was
much more beautiful than when, as a raw girl from Ottumwa, she had
married Willie Phillips. Sensitive, nervous, in the full tide of her
physical life, she had what is euphemistically called to-day
temperament. To this instinctive side of the woman, the handsome,
strong young man had always appealed.
It is also true that she was clever, and had learned with great
rapidity how to cover up the holes of a wretched education. At first,
however, a man could think of but one thing in the presence of Mrs.
Phillips: "You are a woman, and a very inviting one!"
Doubtless she meant that men should think that, and nothing more, at
first. Those who had come through the fire, to whom she was cold and
hard, like an inferior gem, might say later with the judge:--
"Louise flings her sex at you from the first smile. If you feel that
sort of thing, the only thing to do is to run."
Jackson Hart had not yet reached this point of human experience.
Nevertheless, he was but dimly aware that the woman opposite him
troubled his mind, preoccupied as it happened to be with business, like
a too pronounced perfume. Here, in the hard atmosphere of an American
city, he was not inclined to remember the sentimentalities of his Paris
days and was more interested in the widow's prospective house than in
her personal charms. Accordingly, Mrs. Phillips, with quick
perception, soon dropped the reminiscential tone that she had been
inclined to take at first. She came promptly to business:--
"Could you consider a small commission, Mr. Hart?" she asked with
apparent hesitation.
The architect would have undertaken to build a doll's house.
Nevertheless, his heart sank at the word "small."
"I so much want your advice, at any rate. I value your taste so
highly. You taught me how to look at things over there. And we should
agree, I am sure!"
Then she unfolded more plainly her purpose of building in Forest Park.
She had thought of something Tudor. (She had been visiting at a Tudor
house in the East.) But the architect, without debating the point,
sketched on the back of an envelope the outline of an old French
château,--a toy study in part of the famous château at Chenonceaux.
Public-domain text, read in full here on John Shaqi.
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