Didactic fiction; Political fiction; Social problems -- Fiction
"What a lovely roof!" Mrs. Phillips exclaimed responsively. "And how
the thing grows under your hand! It seems as though you must have had
just what I wanted in mind." She leaned over the little piece of
paper, fascinated by the architect's facility.
As he drew in the façade, he noticed that the widow had very lovely
hair, of a tone rarely found in America, between brown and
black,--dusky. Then he remembered that he had made the same
observation before in Paris. The arch of her neck, which was strong
and full, was also excellent. And her skin was of a perfect pallor.
By the time he had made these observations and finished his rough
little sketch, the Tudor period had been forgotten, and the question of
the commission had been really decided. There remained to be debated
the matter of cost. After one or two tactful feints the architect was
forced to ask bluntly what the widow expected to spend on the house.
At the mention of money Mrs. Phillips's brows contracted slightly. A
trace of hardness, like fine enamel, settled on her features.
"What could you build it for?" she demanded brusquely.
"Why, on a thing like this you can spend what you like," he stammered.
"Of course a house in Forest Park ought to be of a certain kind,--to be
a good investment," he added politely.
"Of course. Would twenty-five thousand dollars be enough?"
The architect felt relieved on hearing the size of the figure, but he
had had time to realize that this agreeable client might be close in
money matters. It would be well to have her mind keyed to a liberal
figure at the start, and he said boldly:--
"You could do a good deal for that. But not a place like this,--such a
one as you ought to have, Mrs. Phillips," he added, appealing to her
vanity.
Once he had called her Louise, and they both were conscious of the
fact. Nevertheless, she eyed him keenly. She was quite well aware
that he wanted to get all the freedom to develop his sketch that a good
sum of money would give, and also had in mind the size of his fee,
which would be a percentage of the cost. But this consideration did
not offend her. In this struggle, mental and polite, over the common
topic of money, she expected him to assert himself.
"It's no use being small in such matters," she conceded at length,
having reflected on the profits of certain dealings with Ben Harris's
firm. "Let us say fifty thousand!"
"That's much more possible!" the architect replied buoyantly, with a
vague idea already forming that his sketches might call for a house
that would cost seventy or seventy-five thousand dollars to complete.
The money matter out of the way, the widow relapsed into her friendly
manner.
"I hope you can begin right away! I am so anxious to get out of this
old barn, and I want to unpack all the treasures I bought in Europe the
last time."
Public-domain text, read in full here on John Shaqi.
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