The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
General
The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
The life of a poet who is not also a man of action is told mainly
in the succession of his writings. Two or three sonnets followed
_Pauline_, but the first poem to which Browning attached his name was
_Paracelsus_, the dedication to which is dated March 15, 1835. The
dedication--and the succession of these graceful compliments discloses
many of Browning's friendships--was to Count de Ripert-Monclar, a young
French royalist, who was a private agent of the royal family, and had
become intimate with the poet, who was four years his junior. The count
suggested the life of Paracelsus to his friend as a subject for a poem,
but on second thought advised against it as offering insufficient
materials for the treatment of love. A young poet, however, who would
prefix a quotation from Cornelius Agrippa to his first publication was
one easily to be enticed by such a subject, and Browning fell upon
the literature relating to Paracelsus which he found in the British
Museum, and quickly mastered the facts, which became fused by his
ardent imagination and eager speculation into a consistent whole. But
though he sought his material among hooks, as he needs must, he found
his constructive power in the silence of nature in the night. He had
a great love for walking in the dark. "There was in particular," says
Mr. Sharp, "a wood near Dulwich, whither he was wont to go. There he
would walk swiftly and eagerly along the solitary and lightless byways,
finding a potent stimulus to imaginative thought in the happy isolation
thus enjoyed.... At this time, too, he composed much in the open air.
This he rarely, if ever, did in later life. Not only many portions of
_Paracelsus_ but several scenes in _Strafford_ were enacted first in
these midnight silences of the Dulwich woodland. Here, too, as the poet
once declared, he came to know the serene beauty of dawn: for every
now and again, after having read late, or written long, he would steal
quietly from the house, and walk till the morning twilight graded to
the pearl and amber of the new day."
Public-domain text, read in full here on John Shaqi.
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