The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition — John Shaqi
The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
General
The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
Poetry, it may be, more than any other form of literature, clears the
way for friendship. At any rate, _Paracelsus_ introduced Browning to
John Forster, and it was at this time also that Dickens, Talfourd and
Macready, Leigh Hunt, Barry Cornwall, Wordsworth and Landor were more
than names to the young poet. There was doubtless something in the
man as well as in his work which won him recognition. Macready says
he looked more the poet than any man he had ever met. His head was
crowned with wavy dark brown hair. He had singularly expressive eyes, a
sensitive, mobile mouth, a musical voice, and an alertness of manner,
so that he was like a quivering, high bred animal. How marked he was
by his companions, and singled out to be, as Macready says, "a leading
spirit of his time," is instanced by a notable occurrence at Talfourd's
house after the first performance of _Ion_, when Talfourd included
Browning with Wordsworth and Landor, who were present, in a toast to
the poets of England.
It was on this occasion that Macready, whom Browning already knew well,
proposed to the poet that he should write him a play as narrated in the
Introduction to _Strafford_. The play was produced at the Covent Garden
Theatre in May, 1837, and Macready and Miss Helen Faucit, afterward
Lady Martin, gave distinction to its representation. It came, however,
at an unfortunate time in the management, and though it gave promise
of a long run, certain difficulties in the theatre compelled its
withdrawal. It was published at once by Longmans, but like Browning's
former book, was a failure with the public.
Public-domain text, read in full here on John Shaqi.
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