The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
But the heels keep flying above the traces, and by and by the driver
is obliged to "speak hash" to the beauty. The reproof of the
displeased tone is evidently felt, for she settles at once to her
work, showing perhaps a little impatience, jerking her head up and
down, and protesting by her nimble movements against the more
deliberate trot of her companion. I believe that a blow from the
cruel lash would have broken her heart; or else it would have made a
little fiend of the spirited creature. The lash is hardly ever good
for the sex.
For thirteen years, winter and summer, this coachman had driven this
monotonous, uninteresting route, with always the same sandy hills,
scrubby firs, occasional cabins, in sight. What a time to nurse his
thought and feed on his heart! How deliberately he can turn things
over in his brain! What a system of philosophy he might evolve out
of his consciousness! One would think so. But, in fact, the
stagebox is no place for thinking. To handle twelve horses every
day, to keep each to its proper work, stimulating the lazy and
restraining the free, humoring each disposition, so that the greatest
amount of work shall be obtained with the least friction, making each
trip on time, and so as to leave each horse in as good condition at
the close as at the start, taking advantage of the road, refreshing
the team by an occasional spurt of speed,--all these things require
constant attention; and if the driver was composing an epic, the
coach might go into the ditch, or, if no accident happened, the
horses would be worn out in a month, except for the driver's care.
I conclude that the most delicate and important occupation in life is
stage-driving. It would be easier to "run" the Treasury Department
of the United States than a four-in-hand. I have a sense of the
unimportance of everything else in comparison with this business in
hand. And I think the driver shares that feeling. He is the
autocrat of the situation. He is lord of all the humble passengers,
and they feel their inferiority. They may have knowledge and skill
in some things, but they are of no use here. At all the stables the
driver is king; all the people on the route are deferential to him;
they are happy if he will crack a joke with them, and take it as a
favor if he gives them better than they send. And it is his joke
that always raises the laugh, regardless of its quality.
We carry the royal mail, and as we go along drop little sealed canvas
bags at way offices. The bags would not hold more than three pints
of meal, and I can see that there is nothing in them. Yet somebody
along here must be expecting a letter, or they would not keep up the
mail facilities. At French River we change horses. There is a mill
here, and there are half a dozen houses, and a cranky bridge, which
the driver thinks will not tumble down this trip. The settlement may
have seen better days, and will probably see worse.
Public-domain text, read in full here on John Shaqi.
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