The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
I preferred to cross the long, shaky wooden bridge on foot, leaving
the inside passengers to take the risk, and get the worth of their
money; and while the horses were being put to, I walked on over the
hill. And here I encountered a veritable foot-pad, with a club in
his hand and a bundle on his shoulder, coming down the dusty road,
with the wild-eyed aspect of one who travels into a far country in
search of adventure. He seemed to be of a cheerful and sociable
turn, and desired that I should linger and converse with him. But he
was more meagerly supplied with the media of conversation than any
person I ever met. His opening address was in a tongue that failed
to convey to me the least idea. I replied in such language as I had
with me, but it seemed to be equally lost upon him. We then fell
back upon gestures and ejaculations, and by these I learned that he
was a native of Cape Breton, but not an aborigine. By signs he asked
me where I came from, and where I was going; and he was so much
pleased with my destination, that he desired to know my name; and
this I told him with all the injunction of secrecy I could convey;
but he could no more pronounce it than I could speak his name. It
occurred to me that perhaps he spoke a French patois, and I asked
him; but he only shook his head. He would own neither to German nor
Irish. The happy thought came to me of inquiring if he knew English.
But he shook his head again, and said,
"No English, plenty garlic."
This was entirely incomprehensible, for I knew that garlic is not a
language, but a smell. But when he had repeated the word several
times, I found that he meant Gaelic; and when we had come to this
understanding, we cordially shook hands and willingly parted. One
seldom encounters a wilder or more good-natured savage than this
stalwart wanderer. And meeting him raised my hopes of Cape Breton.
We change horses again, for the last stage, at Marshy Hope. As we
turn down the hill into this place of the mournful name, we dash past
a procession of five country wagons, which makes way for us:
everything makes way for us; even death itself turns out for the
stage with four horses. The second wagon carries a long box, which
reveals to us the mournful errand of the caravan. We drive into the
stable, and get down while the fresh horses are put to. The
company's stables are all alike, and open at each end with great
doors. The stable is the best house in the place; there are three or
four houses besides, and one of them is white, and has vines growing
over the front door, and hollyhocks by the front gate. Three or four
women, and as many barelegged girls, have come out to look at the
procession, and we lounge towards the group.
"It had a winder in the top of it, and silver handles," says one.
"Well, I declare; and you could 'a looked right in?"
"If I'd been a mind to."
"Who has died?" I ask.
"It's old woman Larue; she lived on Gilead Hill, mostly alone. It's
better for her."
"Had she any friends?"
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