The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
In spite of the consolations of poetry, however, the night wore on
slowly, and soothing sleep tried in vain to get a lodgment in the
jolting wagon. One can sleep upright, but not when his head is every
moment knocked against the framework of a wagon-cover. Even a jolly
young Irishman of Plaster Cove, whose nature it is to sleep under
whatever discouragement, is beaten by these circumstances. He wishes
he had his fiddle along. We never know what men are on casual
acquaintance. This rather stupid-looking fellow is a devotee of
music, and knows how to coax the sweetness out of the unwilling
violin. Sometimes he goes miles and miles on winter nights to draw
the seductive bow for the Cape Breton dancers, and there is
enthusiasm in his voice, as he relates exploits of fiddling from
sunset till the dawn of day. Other information, however, the young
man has not; and when this is exhausted, he becomes sleepy again, and
tries a dozen ways to twist himself into a posture in which sleep
will be possible. He doubles up his legs, he slides them under the
seat, he sits on the wagon bottom; but the wagon swings and jolts and
knocks him about. His patience under this punishment is admirable,
and there is something pathetic in his restraint from profanity.
It is enough to look out upon the magnificent night; the moon is now
high, and swinging clear and distant; the air has grown chilly; the
stars cannot be eclipsed by the greater light, but glow with a
chastened fervor. It is on the whole a splendid display for the sake
of four sleepy men, banging along in a coach,--an insignificant
little vehicle with two horses. No one is up at any of the
farmhouses to see it; no one appears to take any interest in it,
except an occasional baying dog, or a rooster that has mistaken the
time of night. By midnight we come to Tracadie, an orchard, a
farmhouse, and a stable. We are not far from the sea now, and can
see a silver mist in the north. An inlet comes lapping up by the old
house with a salty smell and a suggestion of oyster-beds. We knock
up the sleeping hostlers, change horses, and go on again, dead
sleepy, but unable to get a wink. And all the night is blazing with
beauty. We think of the criminal who was sentenced to be kept awake
till he died.
The fiddler makes another trial. Temperately remarking, "I am very
sleepy," he kneels upon the floor and rests his head on the seat.
This position for a second promises repose; but almost immediately
his head begins to pound the seat, and beat a lively rat-a-plan on
the board. The head of a wooden idol couldn't stand this treatment
more than a minute. The fiddler twisted and turned, but his head
went like a triphammer on the seat. I have never seen a devotional
attitude so deceptive, or one that produced less favorable results.
The young man rose from his knees, and meekly said,
"It's dam hard."
If the recording angel took down this observation, he doubtless made
a note of the injured tone in which it was uttered.
Public-domain text, read in full here on John Shaqi.
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