The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
General
The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
How slowly the night passes to one tipping and swinging along in a
slowly moving stage! But the harbinger of the day came at last.
When the fiddler rose from his knees, I saw the morning-star burst
out of the east like a great diamond, and I knew that Venus was
strong enough to pull up even the sun, from whom she is never distant
more than an eighth of the heavenly circle. The moon could not put
her out of countenance. She blazed and scintillated with a dazzling
brilliance, a throbbing splendor, that made the moon seem a pale,
sentimental invention. Steadily she mounted, in her fresh beauty,
with the confidence and vigor of new love, driving her more domestic
rival out of the sky. And this sort of thing, I suppose, goes on
frequently. These splendors burn and this panorama passes night
after night down at the end of Nova Scotia, and all for the
stage-driver, dozing along on his box, from Antigonish to the strait.
"Here you are," cries the driver, at length, when we have become
wearily indifferent to where we are. We have reached the ferry. The
dawn has not come, but it is not far off. We step out and find a
chilly morning, and the dark waters of the Gut of Canso flowing
before us lighted here and there by a patch of white mist. The
ferryman is asleep, and his door is shut. We call him by all the
names known among men. We pound upon his house, but he makes no
sign. Before he awakes and comes out, growling, the sky in the east
is lightened a shade, and the star of the dawn sparkles less
brilliantly. But the process is slow. The twilight is long. There
is a surprising deliberation about the preparation of the sun for
rising, as there is in the movements of the boatman. Both appear to
be reluctant to begin the day.
The ferryman and his shaggy comrade get ready at last, and we step
into the clumsy yawl, and the slowly moving oars begin to pull us
upstream. The strait is here less than a mile wide; the tide is
running strongly, and the water is full of swirls,--the little
whirlpools of the rip-tide. The morning-star is now high in the sky;
the moon, declining in the west, is more than ever like a silver
shield; along the east is a faint flush of pink. In the increasing
light we can see the bold shores of the strait, and the square
projection of Cape Porcupine below.
On the rocks above the town of Plaster Cove, where there is a black
and white sign,--Telegraph Cable,--we set ashore our companions of
the night, and see them climb up to their station for retailing the
necessary means of intoxication in their district, with the mournful
thought that we may never behold them again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account