The Complete Works of Artemus Ward — Part 6: Artemus Ward's PanoramaWard, Artemus
General
The Complete Works of Artemus Ward — Part 6: Artemus Ward's Panorama
Ward, Artemus
American wit and humor
"EGYPTIAN HALL.--Before a large audience, comprising an
extraordinary number of literary celebrities, Mr. Artemus
Ward, the noted American humorist, made his first appearance
as a public lecturer on Tuesday evening, the place selected
for the display of his quaint oratory being the room long
tenanted by Mr. Arthur Sketchley. His first entrance on the
platform was the signal for loud and continuous laughter and
applause, denoting a degree of expectation which a nervous
man might have feared to encounter. However, his first
sentences, and the way in which they were received, amply
sufficed to prove that his success was certain. The dialect
of Artemus bears a less evident mark of the Western World
than that of many American actors, who would fain merge
their own peculiarities in the delineation of English
character; but his jokes are of that true Transatlantic
type, to which no nation beyond the limits of the States can
offer any parallel. These jokes he lets fall with an air of
profound unconsciousness--we may almost say melancholy--
which is irresistibly droll, aided as it is by the effect of
a figure singularly gaunt and lean and a face to match. And
he has found an audience by whom his caustic humor is
thoroughly appreciated. Not one of the odd pleasantries
slipped out with such imperturbable gravity misses its mark,
and scarcely a minute elapses at the end of which the sedate
Artemus is not forced to pause till the roar of mirth has
subsided. There is certainly this foundation for an entente
cordiale between the two countries calling themselves Anglo-
Saxon, that the Englishman, puzzled by Yankee politics,
thoroughly relishes Yankee jokes, though they are not in the
least like his own. When two persons laugh together, they
cannot hate each other much so long as the laugh continues.
"The subject of Artemus Ward's lecture is a visit to the
Mormons, copiously illustrated by a series of moving
pictures, not much to be commended as works of art, but for
the most part well enough executed to give (fidelity
granted) a notion of life as it is among the remarkable
inhabitants of Utah. Nor let the connoisseur, who detects
the shortcomings of some of these pictures, fancy that he
has discovered a flaw in the armor of the doughty Artemus.
That astute gentleman knows their worth as well as anybody
else, and while he ostensibly extols them, as a showman is
bound to do, he every now and then holds them up to ridicule
in a vein of the deepest irony. In one case a palpable
error of perspective, by which a man is made equal in size
to a mountain, has been purposely committed, and the shouts
of laughter that arise as soon as the ridiculous picture
appears is tremendous. But there is no mirth in the face of
Artemus; he seems even deaf to the roar; and when he
proceeds to the explanation of the landscape, he touches on
the ridiculous point in a slurring way that provokes a new
explosion.
Public-domain text, read in full here on John Shaqi.
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