The Complete Works of Brann, the Iconoclast — Volume 10Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 10
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
The country appears to be overrun at present with amateur
editors. When a man learns by sad experience that he hasn't
sufficient sense to successfully steer a blind mule through a
cotton patch, where the rows are a rod apart, he exchanges his
double-shovel plot for the editorial tripod and begins "moulding
public opinion" and industriously exchanging advertising acreage
for something to eat. When Will Carleton's old farmer discovered
that his son Jim was good for nothing else on God's earth he
concluded to "be makin' an editor outen o' him." That practice
prevails throughout the country to a very considerable extent
to-day--the sanctum divides with the pulpit and the stage those
incompetents who aspire to mount above the plow, yet lack the
necessary brains to succeed in business, in medicine or at the
bar. When a man fails at everything else he is apt to be seized
with a yearning ambition to become an editor. He gets trusted for
a shirt-tail full o' pied type, a pre-Raphaelite press, lays in a
job-lot of editorial "we's" and a sawdust cuspidore, girds up his
loins and begins to commence. His first task is to reform the
currency system and instruct the universe in the esoteric science
of economics. He may not be able to successfully float a
butcher's bill, but he writes of finance with all the assurance
of Alexander Hamilton. He may not know whether Adam Smith or
Tommy Watson wrote the "Wealth of Nations"; but he doesn't
hesitate to take issue with every economist from Quesnay to
Walter--to utilize his paste-pot for arc light and play at
Liberty Enlightening the World. These amateur editors are the
curse of the country. They Guldensuppe John Stuart Mill and play
Leutgert to Lindley Murray. It is some consolation, however, to
reflect that they seldom last long. They unfold their wing-like
ears and make a frantic flutter at the sun, only to come down
beam first on some rocky islet in the Icarian sea. Their
creditors do not have even the mournful satisfaction of
contemplating the hole--the amateur editor invariably pulls it in
after him. But until his first notes fall due he is an iridescent
glory. He adores himself with a long-tailed hand-me-down Albert
Edward and carries the universe in his arms. He pokes his
meddlesome proboscis into everything and gives oodles of advice,
unasked. He may not have as much principle as a tomcat in
rutting time, but he poses before all men as a "guardian of
public morals." When he places the awful seal of his disapproval
upon a fellow mortal he expects to see him shrivel ups like a fat
angle-worm on a sea-coal fire. He's a modern Balaam, peddling
God's blessings and curses--for the long green. He imagines that
an eager multitude sit up every night to catch the first dank
copy of his little matutinal mistake--to see what he's got to
SAY. He's garrulous as a toothless gran dam at a sewing circle,
as busy as a canine eunuch when his kind do congregate. He
discourses of everything, from the creation of the universe to
Public-domain text, read in full here on John Shaqi.
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