I have read the criticisms--all I could find--with weariness of spirit, and have felt that the real meaning of the author lay deeper than any of these shallow comments could reach. What difference does it make whether Polly was or was not a trained nurse? The real thing at issue was this--that she was a woman, ruined and played with and tossed aside. For this book is, above all, an earnest book, with bitter protest and lofty purpose running through it, and in such a light as this the paltry errors sink into nothingness. Hall Caine has had something to say to the world, and has said it. The world has waited long enough for a writer with a message. When it comes, let the space-writers and all the horde of small spirits retire for a little while, or go on sounding the praises of this or that "society novel" by Mrs. Van Kortland Van Kordtland, or other of that ilk. And while there may be lay-figures in the book, as has been charged, the people around whom the interest centers are so terribly real that they cannot stay in the book. They come out of it, and become part of our lives. Glory is a vivid creature, with her moods and fancies, her dual nature, with the one side of her in love with John Storm and his work, and the other side--and so much the stronger side, alas! in love with the world, and filled with merry, buoyant life. One follows her through every step of her course, and feels the moral deterioration coming upon her so gradually and yet so surely. Splendid, wholesome, Glory, pure-eyed and frank-hearted, going through the wild rout of music-halls and theatrical successes, suggestive songs, Derby days and midnight suppers; one follows her with dread as though she were the child of a loved friend, and finds the smell of fire gathering upon her garments. Nothing could so show Hall Caine's art as this. If he had written nothing else worth reading, Glory should make him immortal, for this sweet, wild nature is more a living being to us than many whom we meet every day.