The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
Through tears I read it all, and ending with his
name in full, I turned and looked down on the face
of this man that I had learned to love, and the
full measure of his needed rest was with him; and
the rainy day that glowered and drabbled at the
eastern window of the room was as drearily stared
back at by a hopeless woman's dull demented eyes.
A NEST-EGG
But a few miles from the city here, and on the
sloping banks of the stream noted more for its
plenitude of "chubs" and "shiners" than the gamier
two- and four-pound bass for which, in season, so
many credulous anglers flock and lie in wait, stands
a country residence, so convenient to the stream,
and so inviting in its pleasant exterior and
comfortable surroundings--barn, dairy, and spring-
house--that the weary, sunburned, and disheartened
fisherman, out from the dusty town for a day of
recreation, is often wont to seek its hospitality.
The house in style of architecture is something of
a departure from the typical farmhouse, being
designed and fashioned with no regard to symmetry
or proportion, but rather, as is suggested, built to
conform to the matter-of-fact and most sensible
ideas of its owner, who, if it pleased him, would
have small windows where large ones ought to be,
and vice versa, whether they balanced properly to
the eye or not. And chimneys--he would have as
many as he wanted, and no two alike, in either
height or size. And if he wanted the front of the
house turned from all possible view, as though
abashed at any chance of public scrutiny, why, that
was his affair and not the public's; and, with like
perversity, if he chose to thrust his kitchen under the public's
very nose, what should the generally
fagged-out, half-famished representative of that
dignified public do but reel in his dead minnow,
shoulder his fishing-rod, clamber over the back
fence of the old farmhouse and inquire within, or
jog back to the city, inwardly anathematizing that
particular locality or the whole rural district
in general. That is just the way that farmhouse
looked to the writer of this sketch one week ago--
so individual it seemed--so liberal, and yet so
independent. It wasn't even weather-boarded, but,
instead, was covered smoothly with cement,
as though the plasterers had come while the folks
were visiting, and so, unable to get at the interior,
had just plastered the outside.
I am more than glad that I was hungry enough,
and weary enough, and wise enough to take the
house at its first suggestion; for, putting away my
fishing-tackle for the morning, at least, I went up
the sloping bank, crossed the dusty road, and
confidently clambered over the fence.
Public-domain text, read in full here on John Shaqi.
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