The Complete Works of James Whitcomb Riley — Volume 10 — John Shaqi
The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
General
The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
All that long delicious morning we were with
him. In his tender charge we were permitted to go
down among the tumult and the music of the
streets, his round good-humored face and big blue
eyes lit with a luster like our own. And happy
little Mary Alice Smith--how proud she was of
him! And how closely and how tenderly, through
all that golden morning, did the strong brown hand
clasp hers! A hundred times at least, as we promenaded
thus, she swung her head back jauntily to
whisper to us in that old mysterious way of hers
that "David--Mason--Jeffries--and--Mary--Alice
--Smith--knew--something--that--we--couldn't
--guess!" But when he had returned us home, and
after dinner had started down the street alone, with
little Mary Alice clapping her hands after him
above the gate and laughing in a strange new voice,
and with the backs of her little fluttering hands
vainly striving to blot out the big tear-drops that
gathered in her eyes, we vaguely guessed the secret
she and David kept. That night at supper-time we
knew it fully. He had enlisted.
. . . . . . .
Among the list of "killed" at Rich Mountain,
Virginia, occurred the name of "Jeffries, David M."
We kept it from her as long as we could. At last
she knew.
. . . . . . .
"It don't seem like no year ago to me!" Over
and over she had said these words. The face was
very pale and thin, and the eyes so bright--so
bright! The kindly hand that smoothed away the
little sufferer's hair trembled and dropped tenderly
again upon the folded ones beneath the snowy
spread.
"Git me out the picture again!"
The trembling hand lifted once more and searched
beneath the pillow.
She drew the thin hands up, and, smiling, pressed
the pictured face against her lips. "David--Mason
--Jeffries," she said--"le's--me--and--you--go--
play--out--on--the--stairs!"
And ever in the empty home a voice goes
moaning on and on, and "Where is Mary Alice?" it
cries, and "Where--is--Mary--Alice--Smith?"
And the still belated echo, through the high depths
of the old hall overhead, answers quaveringly back,
"Oh--she--has--gone--home!" But her voice--
it is silent evermore!
"Oh, where is Mary Alice Smith?" She taught
us how to call her thus--and now she will not
answer us! Have we no voice to reach her with?
How sweet and pure and glad they were in those old
days, as we recall the accents ringing through the
hall--the same we vainly cry to her. Her fancies
were so quaint--her ways so full of prankish
mysteries! We laughed then; now, upon our knees,
we wring our lifted hands and gaze, through streaming
tears, high up the stairs she used to climb in
childish glee, to call and answer eerily. And now,
no answer anywhere!
Public-domain text, read in full here on John Shaqi.
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