The Complete Works of James Whitcomb Riley — Volume 10 — John Shaqi
The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
General
The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
How deft the little finger-tips in every task! The
hands, how smooth and delicate to lull and soothe!
And the strange music of her lips! The very
crudeness of their speech made chaster yet the
childish thought her guileless utterance had caught
from spirit-depths beyond our reach. And so her
homely name grew fair and sweet and beautiful
to hear, blent with the echoes pealing clear and
vibrant up the winding stair: "Where--where is Mary
Alice Smith?" She taught us how to call her thus
--but oh, she will not answer us! We have no
voice to reach her with.
THE OLD MAN
[Response made to the sentiment, "The Old Man,"
at a dinner of the Indianapolis Literary Club.]
"You are old, Father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head--
Do you think, at your age, it is right?"
THE OLD MAN never grows so old as to be
come either stale, juiceless, or unpalatable. The
older he grows, the mellower and riper he becomes.
His eyes may fail him, his step falter, and his big-
mouthed shoes--"a world too wide for his shrunk
shank"--may cluck and shuffle as he walks; his
rheumatics may make great knuckles of his knees;
the rusty hinges of his vertebrae may refuse
cunningly to articulate, but all the same the "backbone"
of the old man has been time-seasoned, tried, and
tested, and no deerskin vest was ever buttoned
round a tougher! Look at the eccentric kinks and
curvings of it--its abrupt depression at the base,
and its rounded bulging at the shoulders; but don't
laugh with the smart young man who airily observes
how full-chested the old man would be if his head
were only turned around, and don't kill the young
man, either, until you take him out some place and
tell him that the old man got himself warped up in
that shape along about the time when everybody
had to hump himself. Try to bring before the
young man's defective mental vision a dissolving
view of a "good old-fashioned barn-raisin' "--and
the old man doing all the "raisin' " himself, and
"grubbin'," and "burnin' " logs and "underbrush,"
and "dreenin' " at the same time, and trying to coax
something besides calamus to grow in the spongy
little tract of swamp-land that he could stand in the
middle of and "wobble" and shake the whole farm.
Or, if you can't recall the many salient features of
the minor disadvantages under which the old man
used to labor, your pliant limbs may soon overtake
him, and he will smilingly tell you of trials and
privations of the early days, until your anxiety about
the young man just naturally stagnates, and dries
up, and evaporates, and blows away.
Public-domain text, read in full here on John Shaqi.
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