The Complete Works of James Whitcomb Riley — Volume 10 — John Shaqi
The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
General
The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Poor man!" I mused compassionately, with a
touch of youthful sentiment affecting me.--"Poor
man! Working himself into his very grave, and
with never a sign or murmur of complaint--worn
and weighed down with the burden of his work, and
yet with a nobleness of spirit and resolve that still
conceals behind glad smiles and laughing words
the cares that lie so heavily upon him!"
The long afternoon went by at last, and evening
came; and, as promptly as my note requested, the
jovial Mr. Clark appeared, laughing heartily, as
we walked off down the street, at my explanation
of the reason I had written my desires instead of
verbally addressing him; and laughing still louder
when I told him of my fears that he was overworking
himself.
"Oh, no, my friend," he answered gaily;
"there's no occasion for anxiety on that account.--
But the fact is, old man," he went on, half apologetically,
"the fact is, I haven't been so overworked,
of late, as over-wakeful. There's something in the
night I think, that does it. Do you know that the
night is a great mystery to me--a great mystery!
And it seems to be growing on me all the time.
There's the trouble. The night to me is like some
vast incomprehensible being. When I write the
name 'night' I instinctively write it with a capital.
And I like my night deep, and dark, and swarthy,
don't you know. Now some like clear and starry
nights, but they're too pale for me--too weak and
fragile altogether! They're popular with the
masses, of course, these blue-eyed, golden-haired,
'moonlight-on-the-lake' nights; but, somehow, I
don't 'stand in' with them. My favorite night is
the pronounced brunette--the darker the better. To-
night is one of my kind, and she's growing more
and more like it all the time. If it were not for
depriving you of the theater, I'd rather just drift
off now in the deepening gloom till swallowed up
in it--lost utterly. Come with me, anyhow!"
"Gladly," I answered, catching something of his
own enthusiasm; "I myself prefer it to the play."
"I heartily congratulate you on your taste," he
said, diving violently for my hand and wringing it.
"Oh, it's going to be grimly glorious!--a depth of
darkness one can wade out into, and knead in his
hands like dough!" And he laughed, himself, at
this grotesque conceit.
And so we walked--for hours. Our talk--or,
rather, my friend's talk--lulled and soothed at last
into a calmer flow, almost solemn in its tone, and
yet fretted with an occasional wildness of utterance
and expression.
Public-domain text, read in full here on John Shaqi.
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