The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
Half consciously I had been led by my companion,
who for an hour had been drawing closer to me
as we walked. His arm, thrust through my own,
clung almost affectionately. We were now in some
strange suburb of the city, evidently, too, in a low
quarter, for from the windows of such business
rooms and shops as bore any evidence of respectability
the lights had been turned out and the doors
locked for the night. Only a gruesome green light
was blazing in a little drug-store just opposite,
while at our left, as we turned the corner, a tumble-
down saloon sent out on the night a mingled
sound of clicking billiard-balls, discordant voices,
the harsher rasping of a violin, together with the
sullen plunkings of a banjo.
"I must leave you here for a minute," said my
friend, abruptly breaking a long silence, and loosening
my arm. "The druggist over there is a patron
of our house, and I am reminded of a little business
I have with him. He is about closing, too, and
I'll see him now, as I may not be down this way
again soon. No; you wait here for me--right here,"
and he playfully but firmly pushed me back, ran
across the street, and entered the store. Through
the open door I saw him shake hands with the man
who stood behind the counter, and stand talking
in the same position for some minutes--both still
clasping hands, as it seemed; but as I mechanically
bent with closer scrutiny, the druggist seemed to be
examining the hand of Mr. Clark and working at
it, as though picking at a splinter in the palm--I
I could not quite determine what was being done,
for a glass show-case blurred an otherwise clear
view of the arms of both from the elbows down.
Then they came forward, Mr. Clark arranging his
cuffs, and the druggist wrapping up some minute
article he took from an upper show-case, and handing
it to my friend, who placed it in the pocket of
his vest and turned away. At this moment my
attention was withdrawn by an extra tumult of jeers
and harsh laughter in the saloon, from the door of
which, even as my friend turned from the door
opposite, a drunken woman reeled, and staggering
round the corner as my friend came up, fell
violently forward on the pavement, not ten steps in
our advance. Instinctively, we both sprang to her
aid, and bending over the senseless figure, peered
curiously at the bruised and bleeding features. My
friend was trembling with excitement. He clutched
wildly at the limp form, trying, but vainly, to lift the
woman to her feet. "Why don't you take hold of
her?" he whispered hoarsely. "Help me with her--
quick! quick! Lift her up!" I obeyed without a
word, though with a shudder of aversion as a drop
of hot red blood stung me on the hand.
"Now draw her arm about your shoulder--this
way--and hold it so! And now your other arm
around her waist--quick, man, quick, as you yourself
will want God's arm about you when you fail!
Now, come!" And with no other word we hurried
with our burden up the empty darkness of the
street.
Public-domain text, read in full here on John Shaqi.
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