The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
I was utterly bewildered with it all, but something
kept me silent. And so we hurried on, and on, and
on, our course directed by my now wholly reticent
companion. Where he was going, what his purpose
was, I could not but vaguely surmise. I only recognized
that his intentions were humane, which fact
was emphasized by the extreme caution he took to
avoid the two or three late pedestrians that passed
us on our way as we stood crowded in concealment
--once behind a low shed, once in an entry-way;
and once, at the distant rattle of a police whistle,
we hurried through the blackness of a narrow alley
into the silent street beyond. And on up this we
passed, until at last we paused at the gateway of a
cottage on our left. On to the door of that we went,
my friend first violently jerking the bell, then opening
the door with a night-key, and with me lifting
the still senseless woman through the hall into a
dimly lighted room upon the right, and laying her
upon a clean white bed that glimmered in the corner.
He reached and turned the gas on in a flaring jet,
and as he did so, "This is my home," he whispered,
"and this woman is--my mother!" He flung himself
upon his knees beside her as he spoke. He laid
his quivering lips against the white hair and the
ruddy wound upon the brow; then dappled with his
kisses the pale face, and stroked and petted and
caressed the faded hands. "O God!" he moaned, "if
I might only weep!"
The steps of some one coming down the stairs
aroused him. He stepped quickly to the door, and
threw it open. It was a woman servant. He
simply pointed to the form upon the bed.
"Oh, sir!" exclaimed the frightened woman,
"what has happened? What has happened to my
poor dear mistress?"
"Why did you let her leave the house?"
"She sent me away, sir. I never dreamed that
she was going out again. She told me she was very
sleepy and wanted to retire, and I helped her to
undress before I went. But she ain't bad hurt, is
she?" she continued, stooping over the still figure
and tenderly smoothing back the disheveled hair.
--"It's only the cheek bruised and the forehead cut
a little--it's the blood that makes it look like a bad
hurt. See, when I bathe it, it is not a bad hurt, sir.
She's just been--she's just worn out, poor thing--
and she's asleep--that's all."
He made no answer to the woman's speech, but
turned toward me. "Five doors from here," he
said, "and to your left as you go out, you will find
the residence of Dr. Worrel. Go to him for me, and
tell him he is wanted here at once. Tell him my
mother is much worse. He will understand. I
would go myself, but must see about arranging for
your comfort upon your return, for you will not
leave me till broad daylight--you must not!" I
bowed in silent acceptance of his wishes, and turned
upon my errand.
Public-domain text, read in full here on John Shaqi.
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