To write anything like a biography of Gower, with the materials that exist, is an impossibility. Almost the only authentic records of him, apart from his writings, are his marriage-licence, his will, and his tomb in St. Saviour’s Church; and it was this last which furnished most of the material out of which the early accounts of the poet were composed. A succession of writers from Leland down to Todd contribute hardly anything except guesswork, and this is copied by each from his predecessors with little or no pretence of criticism. Some of them, as Berthelette and Stow, describe from their own observation the tomb with its effigy and inscriptions, as it actually was in their time, and these descriptions supply us with positive information of some value, but the rest is almost entirely worthless. Gower’s will was printed in Gough’s _Sepulchral Monuments_ (1796), and in 1828 Sir Harris Nicolas, roused by the uncritical spirit of Todd, published the article in the _Retrospective Review_[1] which has ever since been regarded as the one source of authentic information on the subject. It does not appear that Nicolas undertook any very extensive searching of records, indeed he seems to have practically confined his attention to the British Museum; for wherever he cites the Close Rolls or other documents now in the Record Office, it is either from the abstract of the Close Rolls given in MS. Harl. 1176 or as communicated to him by some other person: but he was able to produce several more or less interesting documents connected either with the poet or with somebody who bore the same name and belonged to the same family, and he placed the discussion for the first time upon a sound critical basis. Pauli simply recapitulated the results arrived at by Nicolas with some slight elucidations from the Close Rolls of 6 Ric. II on a matter which had been already mentioned by Nicolas on the authority of Mr. Petrie. As the result of a further examination of the Close Rolls and other records I am able to place some of the transactions referred to in a clearer light, while at the same time I find myself obliged to cast serious doubt on the theory that all the documents in question relate to the poet. In short, the conclusions at which I arrive, so far as regards the records, are mostly of a negative character.