In short, for sheer cleverness Lucian has no rival but Aristophanes in extant Greek literature. His originality, his wit, his humour (not at all equal, it may be said, to his wit), his gifts of invention and fancy, his light touch, and his genius for lively narrative, mark him out distinctively in an age when literature was all rhetoric, length and reminiscence. But as we read him, we become sensible of defects as extraordinary as his gifts. For all his Attic style, he belongs to his age. He {204} may renounce Rhetoric, but no man can easily escape from his past. The education had intensified the cardinal faults of his character, impatience, superficiality, a great lack of sympathy for the more tender attachments and the more profound interests of men--essential unbelief in human grandeur. An expatriated adventurer, living for twenty years on his eloquence, with the merest smattering of philosophy and no interest whatever in nature and natural science or mathematics, with little feeling and no poetry,--it was hardly to be expected that he should understand the depths of the human soul, lynx-eyed as he is for the surface of things. He had a very frank admiration for his own character, and he drew himself over and over again under various names. Lykinos, for example, is hardly a disguise at all. "Free-Speech, son of True-man, son of Examiner," he calls himself in one of his mock trials, "hater of shams, hater of impostors, hater of liars, hater of the pompous, hater of every such variety of hateful men--and there are plenty of them"; conversely, he loves the opposites, when he meets them, which, he owns, is not very often.[18] [Sidenote: Lucian and philosophy]