The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National Policy — John Shaqi
The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
face of a dying Christian, can scarcely help believing that the
beginning of a blissful eternity has impressed itself upon the rapt
features, actually breaking through the shackles of time before the
prisoner was emancipated from its fetters. And those brief intervals of
rapture which are sometimes experienced in the midst of earnest and
ardent devotion--what are they but eternity thus manifesting itself
through time in the soul? Those who have been rescued from the very jaws
of death, frequently tell us that the moment preceding insensibility was
crowded and filled with vivid recollections of the whole apparently
forgotten past--thus bringing into the soul in the midst of time, a
foretaste and interval of eternity! and those prophetic intimations of
things yet to be, which frequently break in with startling power upon
the human spirit, what indeed are they but sudden contacts between our
fettered time, 'so out of joint,' and the fulness of eternity? Men rave
against the justice of eternal punishment, as if its duration were not
essentially part of their own immortality! Ah! if the memories of the
deeds done in the body are essentially undying, were it not well for us
that the writing traced against us by our own hands should be nailed to
the cross, obliterated in the blood of the Immaculate Victim? that
mystic blood which has bathed the universe!
The innate longing for the infinite, with its accompanying intuitions of
the eternal love, and the yearnings for that fulness of time when the
past and future shall live with us as really as the present itself, are
ever vivid within us, and are two of the great vital arteries of all
true art. This burning human thirst for the fulness of eternity in
opposition to our fragmentary time manifests itself in our agonizing
efforts to bring back the past, to which sad efforts we have given the
melancholy name of memory; shows itself in our restless longing for the
future, which we call hope; and frequently reveals itself in an insane
seizing upon something in the imperfect and fleeting present, which it
insists upon worshipping, in regarding as divine. Upon this last phase
is dependent all that excited, exaggerated, but frequently beautiful
passion of language which marks our poems of love. Ah! it is the
merciful will of the Creator that we should worship only the divine, and
so the human passion ends in sobs and wails of anguish, for the finite
idol can never fill the shrine of the Absolute, the infinite God!
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