The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National Policy — John Shaqi
The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 4, No. 1, July, 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
As the intuition of eternal love in the past, we find this longing for
the infinite breathing through poetry in the form of elegy; in sad
recollections of a faded world of demigods and heroes; and in the
plaints for the loss of man's native home in Paradise, in the faint and
dying echoes of the happy innocence of creation before the first
outbreak of evil, and the consequent misery of nature. Poetry is indeed
so full of haunting, melancholy memories, that it might almost be called
the 'mind's supersensuous recollection of the eternal.' And what else
can be said of music? Is it not an art eminently addressed to this
intuition of eternal love, this constant longing for the infinite? Do
not its giddy flights and dying falls at once arouse this mystic
yearning, seeking, feeling, which may appropriately be termed the
passion of the soul? That music holds some deep relation to the soul not
yet clearly developed, may be inferred, not only from the magic power it
sways over our spirits, but from the fact that the inspired writers
picture it among the joys of heaven. It is now the language of our
'divine despair;' it is yet to be the speech of our eternal beatitude!
'God is love:' through all the hidden veins of ever-germing life beats
this divine pulse of universal being. Hope, faith, and charity spring
from the revelation and answering intuitions of this blissful love: from
the hope, faith, and love of men sprang all the really noble works of
art. All this is full of consolation, 'though inward far we be'--even
the mournful memory of a past of celestial innocence becomes the
harbinger of a divine hope. Let the poet then still sing of the past;
like the glories of the setting sun flushing down the golden west, it
but whispers of a more glorious rise in the mythic east. The root of art
springs from the intuitions of eternal love; its leaves, flowers, and
fruit, are faith, hope, and charity. May the rapt artist ever remember
that the beauty of this earth was not intended to satisfy the
requisitions of his longing soul, but to awaken and nourish in it the
love of eternal beauty!
A golden thread of glories yet to be, twines through the woof of this
our mortal life, and by tracing its wavy lines of glittering brilliancy,
shining even through the dim symbolism of matter, many secrets of the
life to come may be divined. The arts may be regarded as significant
hieroglyphics of delights yet to be fulfilled in other spheres of being.
The living pulse of omnipotence, the heart of God, beats sensibly in the
beauty of the boundless universe; it is the fountain at which the young
immortal is to imbibe his first draught for eternity. Not that, as
erroneously held by the Pantheists, nature is God, no more than Raphael
is the pictures he paints; but assuming the existence of a God as the
creator of the worlds, what else can nature be but a revelation of God
and divine love, a visible and symbolic representation thereof in
matter; living, because His breath is life?
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