The Continental Monthly, Vol. 5, No. 1, January, 1864Various
History
The Continental Monthly, Vol. 5, No. 1, January, 1864
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
There is a sympathetic power in measured time which has not yet received
the attention it deserves. It has been found that in a watchmaker's shop
the timepieces or clocks connected with the same wall or shelf have such
a sympathetic effect in keeping time, that they stop those which beat in
irregular time; and if any are at rest, set agoing those which beat
accurately. What wonder then that the living, soldiers, artisans, such
as smiths, paviors, etc., who work in unison with the pulse, should
acquire habits of keeping time with the greatest correctness.
Rhythm not only measures the footfall of the pedestrian, but exerts a
sympathetic power, so that if two are walking together, they feel its
spell, and unconsciously fall into the same step, not aware that they
are thus conforming to a Unity always engendered by the Order regulating
rhythmical motion. It is this entrancing sense of unity which wings the
feet of the dancers, and enables them to endure with delight a degree of
physical exertion which, without it, would be utterly exhausting. The
following extract from the _Atlantic Monthly_, of July, 1858, is so much
to our purpose, that we place it before the reader:
'The sailor does not lack for singing. He sings at certain parts of
his work;--indeed, he must sing, if he would work. On vessels of
war, the drum and fife or boatswain's whistle furnish the necessary
movement-regulator. There, where the strength of one or two hundred
men can be applied to one and the same effort, the labor is not
intermittent, but continuous. The men form on either side of the
rope to be hauled, and walk away with it like firemen marching with
their engine. When the headmost pair bring up at the stern or bow,
they part, and the two streams flow back to the starting point,
outside the following files. Thus in this perpetual
'follow-my-leader' way the work is done, with more precision and
steadiness than in the merchant service. Merchantmen are invariably
manned with the least possible number, and often go to sea
short-handed, even according to the parsimonious calculations of
their owners. The only way the heavier work can be done at all is
by each man doing his utmost at the same moment. This is regulated
by the song. And here is the true singing of the deep sea. It is
not recreation; it is an essential part of the work. It mastheads
the topsail yards, on making sail; it starts the anchor from the
domestic or foreign mud; it 'rides down the main tack with a will;'
it breaks out and takes on board a cargo; it keeps the pumps (the
ship's, not the sailor's) going. A good voice and a new and
stirring chorus are worth an extra man. And there is plenty of need
of both.
Public-domain text, read in full here on John Shaqi.
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