The first John Corbin’s father, Peter, I think his name was, came out
to these parts somewhere about the time of the Black Hawk War. His
ancestors had been seafaring folk--Newburyport, I think they came
from--and had prospered at it. Peter had money behind him, anyhow,
and he got possession of some thousands of acres of the best land in
Illinois--chased the Indians off it, I suppose--and built his first
house out of bricks that he made on the place.
His son, Punch’s grandfather, inherited the whole thing. He may have
been able enough, though I suspect the line was thinning out. Anyhow,
the most important thing about him is the woman he married.
I haven’t an idea who, in the social sense, she was. But certainly
for the past fifty years or so she has been a tremendous person. She
had two sons--she’d probably have had a dozen but for her husband’s
untimely death. She completely dominated the elder, Punch’s father, and
quarreled violently with the younger one, Alexander--she quarreled with
everybody she couldn’t dominate--so that he ran away, fought in the
Spanish War, went out to the Philippines and stayed there.
John married Victoria Ashcroft; he died two or three months before
Punch was born. Judy remembers him, of course, and adores his memory.
It’s one of the reasons, perhaps, why she doesn’t get on better with
her mother.
The proceeding years never softened up the old lady a bit. Her
husband’s will left the whole fortune in her hands, and she has used
it remorselessly as a club to enforce submission to her ideas. In the
main I think her ideas have been pretty sound--certainly her business
judgment has always been above reproach--but they aren’t Victoria’s
ideas in the least. It’s hard to imagine a more difficult position than
that of being old Mrs. Corbin’s daughter-in-law.
The famous necklace affords an illustration. As an adornment it has
long been useless to the old lady. She’s been crippled with arthritis
for years, living, from somewhere about dawn till nine o’clock at
night, in a wheel chair. Victoria used to wear the necklace frequently.
Pearls, I believe, and especially old pearls, need wear. And the thing
was popularly supposed to be hers.
But between the old lady and Victoria there was never any ambiguity
about it. The mother-in-law kept tabs on it most jealously; decreed
when it should be worn and when it should not, and kept it most of the
time in her possession. She has never liked Victoria, has often openly
mistrusted her, and it was easy to believe that her decision to give
the necklace to Judy was inspired by a wish to do Victoria out of it
finally.
With the children Victoria more nearly had her own way. She had some
money of her own, though nowhere near enough to carry out her program
for them, and as long as she could keep them away from The Oaks, far
enough away to sift out details, their grandmother’s edicts were of
little effect.
Public-domain text, read in full here on John Shaqi.
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