The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"It is terrible," assented a quite tranquil voice; "but if gentlemen
_will_ venture abroad on such terrible nights--"
"Eh?" said I. I looked up quickly at the moon; then back toward the
possessor of the voice. It was peculiar I had not noticed her before,
for she sat on a rustic bench not more than forty feet away, and in
full view of the street. It was, perhaps, the strangeness of the
affair that was accountable for the great wonder in my soul; and the
little tremor which woke in my speech.
"--so windy," she complained.
"Er--ah--yes, quite so!" I agreed, hastily.
"I am really afraid that it must be a tornado. Ah," she continued,
emotion catching at her voice, "heaven help all poor souls at sea! How
the wind must whistle through the cordage! how the marlin-spikes must
quiver, and the good ship reel on such a night!" She looked up at a
cloudless sky, and sighed.
"Er h'm!" I observed.
For she had come forward and had held out my hat toward me, and I
could see her very plainly now; and my mouth was making foolish
sounds, and my heart was performing certain curious and varied
gymnastics which could not, by any stretch of the imagination, be
included among its proper duties, and which interfered with my
breathing.
3
"Didn't I know it--didn't I know it?" I demanded of my soul, and my
pulses sang a paean; "I knew, with that voice, she couldn't be a
common actress--a vulgar, raddled creature out of a barn! You not a
gentlewoman! Nonsense! Why--why, you're positively incredible! Oh, you
great, wonderful, lazy woman, you are probably very stupid, and you
certainly can't act, but your eyes are black velvet, and your voice is
evidently stolen from a Cremona, and as for your hair, there must be
pounds of it, and, altogether, you ought to be set up on a pedestal
for men to worship! There is just one other woman in the whole wide
world as beautiful as you are; and she is two thousand years old, and
is securely locked up in the Louvre, and belongs to the French
Government, and, besides, she hasn't any arms, so that even there you
have the advantage!"
Indeed, Miss Annabelle Alys Montmorenci was of much the same large,
placid type as the Venus of Milo, nor were the upper portions of the
two faces dissimilar. Miss Montmorenci's lips, however, were far more
curved, more buxom, and were, at the present moment, bordered by an
absolutely bewildering assemblage of dimples which the statue may not
boast.
4
"I really think," said Miss Montmorenci, judicially, "that it would be
best for you to seek some shelter from this devastating wind. It
really is not safe, you know, in the open. You might be swept away,
just as your hat was."
"The shelter of a tree--" I began, looking doubtfully into the garden,
which had any number of trees.
"The very thing," she assented. "There is a splendid oak yonder, just
half a block up the street." And she graciously pointed it out.
I regarded it with disapproval. "Such a rickety old tree," I objected,
sulkily.
Public-domain text, read in full here on John Shaqi.
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