The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
Followed a silence. She bent her head to one side, and looked up at
me. She was now grave with a difference. "A strolling actress isn't
supposed to be very particular, is she?" asked Miss Montmorenci. "She
wouldn't object to a man's coming by night and trying to scrape
acquaintance with her,--a man who wouldn't think of being seen with
her by day? She would like it, probably. She--she'd probably be
accustomed to it, wouldn't she?" And Miss Montmorenci smiled.
And I, on a sudden, was abjectly ashamed of myself. "Why, you can't
think that of me!" I babbled. "I--oh, don't think me that sort, I beg
of you! I'm not--really, I'm not, Miss Montmorenci! But I admired you
so much to-night--I--oh, of course, I was very silly and very
presumptuous, but, really, you know--"
I paused for a little. This was miles apart from the glib talk I had
designed.
"My name is Robert Townsend," I then continued; "I am staying at Mr.
Charteris's place, just outside of Fairhaven. And I am delighted to
meet you, Miss Montmorenci. So now, you see, we have been quite
properly introduced, haven't we? And, by the way," I suggested, after
a moment's meditation, "there is a very interesting old college here--
old pictures, records, historical association and such like. I would
like to inspect it, vastly. Can't I call for you in the morning. We
can do it together, if you don't mind, and if you haven't already seen
it. Won't you, Miss Montmorenci? You really ought to see King's
College, you know; it is quite famous, because I was educated there,
and no end of other interesting things have happened within its
venerable confines."
She had drawn close to the hedge. "You really mean it?" she asked.
"You would walk through the streets of this Fairhaven with me--with a
barn-stormer, with a strolling actress? You'd be afraid!" she cried,
suddenly; "oh, yes, you talk bravely enough, but you'd be afraid, of
course, when the time came! You'd be afraid!"
I had taken the hat, but my head was still uncovered. "I don't think,"
said I, reflectively, "that I am afraid of many things, somehow. But
of one thing I am certainly not afraid, and that is of mistaking a
good woman for--for anything else. Their eyes are different somehow,"
I haltingly explained, as to myself; then I smiled. "Shall we say
eleven o'clock?"
Miss Montmorenci laid one hand upon the hedgetop and slowly twisted
off four box-leaves what while I waited. "I--I believe you," she said,
in' meditation; "oh, yes, I believe you, somehow, Mr. Townsend. But we
rehearse in the morning, and there is a matinee every day, you know,
and--and there are other reasons--" She paused, irresolutely. "No,"
said Miss Montmorenci, "I thank you, but--good night."
"Oh, I say! am I never to see any more of you?"
A century or so of silence now. Her deliberation seemed endless.
Public-domain text, read in full here on John Shaqi.
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