The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916) — John Shaqi
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)Various
History
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
An old friend of mine, who was a boy at Rugby under the kindly,
orthodox and dignified Dr. Goulburn, told me that on his first evening
at that great school, a bewildered and timid little creature, after he
had been much catechised and derided by a lot of cheerful youngsters,
and with a terrible perspective before him of endless interviews with
countless strange and not necessarily amiable mortals, a loud bell
rang, and all trooped down to prayers. He sat on a bench in a big bare
hall with a timbered roof, a door opened and a grave butler appeared,
carrying two wax candles in silver candlesticks, followed by the
Headmaster in silk gown and bands, in unimaginable state. The candles
were set down on a table. The Headmaster opened a great Bible, and in
a sonorous voice read the twelfth chapter of the Book of Joshua, a
gloomy enough record, which begins, ‘Now these are the kings of the
land, which the Children of Israel smote,’ and ends up with a sinister
catalogue, ‘The king of Jericho, one; the king of Ai, one’--and so on
for many verses, finishing up with ‘The king of the nations of Gilgal,
one; the king of Tirzah, one; all the kings, thirty and one.’ After
which pious and edifying exercise, the book was closed, and prayer
offered.
My old friend was an impressionable boy, and it seemed to him, he
said, that there was a fearful and ominous significance in this list
of slaughtered monarchs, depicting and emphasizing the darker side of
life. But I have often thought that a few words from the Headmaster, on
the vanity of human greatness and the triumph of the divine purpose,
might have turned these lean and bitter memorials of the dead into an
unforgettable parable. What, for instance, could be more profoundly
moving in the scene of the ‘Passing of Arthur,’ where the knight steps
slowly in the moonlight from the ruined shrine and the place of tombs:
‘Where lay the mighty bones of ancient men,
Old knights--and over them the sea-wind sang
Shrill, chill, with flakes of foam’?
That seems to lend the last touch of mystery and greatness to a scene
of human endeavour, that the earth beneath the living feet should cover
the bones, the hardy and heroic limbs of those who had lived and fought
worthily. As the dying king, with the poignant accent of passion cries
aloud:
‘“Such a sleep
They sleep--the men I loved!”’
Public-domain text, read in full here on John Shaqi.
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