The Cornhill Magazine (vol. XLI, no. 245 new series, November 1916)Various
History
The Cornhill Magazine (vol. XLI, no. 245 new series, November 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Went on, until it grew too dark for me to read the names of the books
as I took them down off the shelves. I lighted the candles on my study
table, using a wax vesta from an old silver box the dear boy had once
given me. And, so doing, I recollected with a start that, absorbed in
my own preparations for departure, I had not seen him all day. The
occurrence was so unusual that, realising it, I felt somewhat uneasy.
I recollected, moreover, that he had not put in an appearance at hall.
This increased my uneasiness. I sent round to his rooms, in the big
quadrangle, only to learn that he had gone out riding early, taking no
groom with him, and leaving no information as to the probable time of his
return or as to his destination.
Nine o’clock, half-past nine, ten o’clock struck. Darling of the college
or not, at this rate my young lord ran a chance of being ignominiously
gated. Uneasiness deepened into anxiety, anxiety into downright alarm.
It was not possible to sit still in this state of suspense any longer.
I went out on to the landing, down my staircase, and half-way across
the small court—charming in the warm gloom of the midsummer night, with
its tinkling fountain, its squares and oblongs of lamplit window—when
footsteps rang out under the archway, and a young man came towards
me, not in regulation cap and gown, but high riding boots, white cord
breeches, his coat and hat appearing white also, so thickly overlaid were
they by dust.
Hartover slipped his arm within mine.
‘That’s right,’ he said, with a queer, gay, yet half-shy little laugh. ‘I
could have sworn I should find you, every feather on end, clucking after
your lost chick; so I came right on here, without stopping to change or
have a brush.’
‘But where have you been, my dear boy?’ I cried, still agitated, struck,
moreover, by a strangeness in his manner. Not that his gaiety was forced.
On the contrary, it seemed to bubble up and overflow out of some depth of
incontrollable gladness.
‘Doing the best day’s work of my life,’ he answered. ‘But let me come up
to your rooms. We can’t talk here. And there are things to explain. Good
as the day’s work is, you still have to put the finishing touch to it.
Can’t do without you, you see, in good fortune any more than in bad—even
if I wanted to, which, God knows, I don’t. But forty miles, dear old man,
in dust and sun—or nearer fifty, for, like a fool, I lost my way coming
back and gandered about for ever so long in those fenlands. Gad! how
enchanting they are though, Brownlow!—The vast reed beds, and great meres
like shining mirrors, holding miles of sky in their pretty laps, and the
long skeins of wild-fowl rising off them and calling to the sunset. I
have never understood the fascination of a flat country before. I must go
and have another look at it all some day—some day—because it will speak
to me of⸺’
He broke off. And again he laughed, mounting the dark stairs so rapidly
beside me that I had some ado to keep pace with him.
Public-domain text, read in full here on John Shaqi.
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