The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
‘Have they gone?’ he asked anxiously.
‘Ay,’ said Moir; ‘but ye’re no’ safe yet. If yere Gairman friends arena’
drooned, they’ll be in jail the morn.’
‘Then they’ll think I gave them away.’
‘It’s verra probable,’ Moir agreed. ‘For a’ that, ye’ll be in Carlisle by
then to enlist in the Borderers.’
There was silence for a moment, and then Euphie said ‘It’s the only way,
Jimmy. It’s your chance of winning back.’
‘He’ll tak’ it,’ Moir remarked grimly. ‘If he doesna, he leaves here in
chairge o’ the polis.’ Then he turned to the lad. ‘I’ll waken ye when
it’s time. Dinna’ keep yere mither lang.’
He went back to the kitchen, and by and by Janet came in alone. Her eyes
were wet, but she put her hand on Moir’s shoulder.
‘I’m thinking ye found the right way, David,’ she said. ‘He’ll gang.’
HAROLD BINDLOSS.
_ON NIGHT DUTY._
It was a large base hospital in a large and dirty town. South Country men
grew frank with disgust when they saw the pall of fog that hung for a
fortnight outside the windows, yet things were little better when the fog
cleared and the great buildings stood stark in their black ugliness.
Yet the night nurses would linger at the corridor windows on their way
down to the dining-room. There was the glamour of night on the big
city, mighty buildings silhouetted against a sky of dark luminous blue,
towers that divided the stars, and far below in the street the ruby
and topaz lights of the road-menders, with the glowing brazier of the
night-watchman. And then dawn came with its chilling wind and its grey
cheerless light that discovered, without love or pity, the sordid things
of town—the dirty canal, the barges, the heaps of timber, the ugly
money-making warehouses and factories. All this we saw—a world pallid and
cold, with none of the genial glow of noontide.
The hospital never failed to charm me at night. Its interior aspect
had a beauty of dim wards and red subdued lights over the ‘dug-outs,’
where a sister or nurse sat in charge. The long rows of white beds
disappeared into the darkness, and the men in them had that pathos—unreal
in some cases—of the sleeping and the helpless. At night they were all
children—children who talked pitifully in their sleep of Germans and
trenches and ghastly things beyond our ken. They called sometimes a
woman’s name and professed next morning a guileless ignorance of her
existence.
It was a hushed and mysterious world, where one whispered and walked
stealthily, and yet where much was told and where life seemed simpler
and more genuine than by day when the little tin gods were all awake. At
that time I saw most of the mental ward, the most pathetic place in any
hospital. Sleep was an unwilling visitor there, except to the orderlies,
who, in the intervals of card-playing and button-cleaning, relapsed into
the attitudes of the seven sleepers.
Public-domain text, read in full here on John Shaqi.
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