The Cornhill Magazine (vol. XLII, no. 251 new series, May 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 251 new series, May 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
epoch-making speech.
‘Q’ incidentally records details of procedure in marked contrast with
that of to-day. In these times, on the assembling of a newly elected
Parliament, the Oath is administered by the Clerk to members standing in
batches at small tables on the floor of the House. In the old Parliament,
members were sworn in by the Lord Steward of His Majesty’s Household.
At the same period a new Speaker being duly elected or re-elected was
led by the Mover and Seconder from his seat to the Bar, whence he was
escorted to the Chair. To-day he is conducted direct to the Chair.
When divisions were taken in Committee of the whole House, members did
not, as at present, go forth into separate lobbies. The ‘ayes’ ranged
themselves to the right of the Speaker’s Chair, the ‘noes’ to the left,
and were counted accordingly. The practice varied when the House was
fully constituted, the Speaker in the Chair and the Mace on the Table.
In such circumstances one only of the contending parties, the ‘ayes’ or
the ‘noes’ according to the nature of the business in question, quitted
the Chamber. The tellers first counted those remaining in the House, and
then, standing in the passage between the Bar and the door, counted the
others as they re-entered. The result of the division was announced in
the formula: ‘The ayes that went out are’ so many. ‘The noes who remained
are’ so many, or otherwise according to the disposition of the opposing
forces. A quorum then as now was forty, but when the House was in
Committee the presence of eight members sufficed. ‘Q’ makes no reference
to the use of a bell announcing divisions. But he mentions occasions on
which the Mace was sent to Westminster Hall, the Court of Request, or to
the several Committee Rooms to summon members to attend.
Public-domain text, read in full here on John Shaqi.
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