The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
“Well,” said the woman, “it is not mine to give; it was found in Mr
Kolbecker’s room by Mrs Stairs after he left for Cumberland, and she
brought it to me. It’s no value to me, and if it will help you to find
out who killed him you had better take it. Mind you, I look to you to
see me righted, and I don’t want this house brought into the papers;
it’s hard enough getting a living without getting a name for being mixed
up in murders.”
“I will see that you don’t suffer in any way,” replied the other, “and I
will give you a receipt for this photograph, just as I gave you one for
those pieces of marble this afternoon.”
He wrote out a receipt on a sheet of paper torn from his notebook, and
with the photograph in his possession left the house.
When he reached the Yard, it was a little after twelve.
The chief was absent, snatching a few hours’ sleep possibly, after a day
of fourteen hours’ solid work, in which the consideration of the Gyde
case had been only an item.
Inspector Dennison was in, and Freyberger found him and put the evidence
he had collected in his hands.
Freyberger had that tremendous advantage which helps a man along in the
world as much, or more, than industry or genius. He was a general
favourite. A favourite, not because he was all things to all men, or
gave the wall to any man, or truckled, or trimmed, or did anything
small, so as to make himself pleasing. He was a favourite because he was
straight and honest, always ready to help another man, ever ready to
praise what seemed to him praiseworthy or criticize what seemed to him
wrong. In fact, there was nothing small about him, except his person,
and even that was not particularly small, just a shade under the middle
size.
Inspector Dennison, a very big man, both physically and by reputation,
liked the little German, and when Freyberger showed him his results he
did not criticize them destructively. He went carefully through the
matter of the photographs without showing the slightest surprise at the
marvellous retinal picture.
He said he failed to see much resemblance between it and the French
photograph, but that possibly, allowing for the vast difference in
expression and the vagueness of the retinal picture, they might be
photographs of the same person.
He did not recognize so fully as Freyberger the possibility of connexion
between the hellish face and the subdued and self-contained face, but he
recognized it.
“There is something on the back of this photograph I want to examine
more attentively,” said Freyberger. “Something has been written with a
pencil; the writing has been rubbed out, but the dent remains. Have you
a lens, not a too powerful one?”
Dennison produced one from a drawer, and his companion took it and
proceeded to examine the marks.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account