The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
“I can make out an _M_, there is then a space, over the space there are
two dots, a little further along occurs an _l_ followed by—is it a _t_
or an _l_? Ah! yes, it must be an _l_, though the loop is very
indistinct; then occurs an _i_ without a dot and an _r_. Thus:
“‘_M .. llir._’”
“That doesn’t tell much,” said Dennison.
“No,” replied Freyberger, “but it tells me one thing.”
“What is that?”
“That whatever was written was not written in English.”
“How so?”
“Those two accentuating dots are never used in English. They are used
sometimes—very rarely—in poetry, I believe, but we may suppose the
writing on this to have been in prose.”
“Let’s suppose so,” said Dennison. “Though I’ve seen poetry written on
the back of a photograph before this; it was in the case of a fellow
called Buckingham. He’d given it to his girl, and the next thing he did
was to murder her. His poetry hanged him.”
“I don’t know of any language,” said Freyberger, contemplatively, in
which the combination _llir_ might occur commonly; _lir_ is, of course,
common; _llir_ most uncommon; suppose it is an _e_, though there is no
perceptible loop—_ller_.
“That seems to me as uncommon as the other,” said Dennison.
“Ah!” cried Freyberger, suddenly, “I have it.”
“What?”
“See!”
Freyberger snatched a pen and wrote in large letters upon a sheet of
paper—
“_Müller._”
“By Jove, yes,” said Dennison, “that might be it.”
“I think it’s likely,” said the other. “First of all it’s a name, and a
name is the most likely thing to be written on a photograph. Then the
thing constructs itself easily. Dennison, without those two dots, the
idea would not have occurred to me. Those two dots may be the means of
finding our man. Another point, the writing, whatever it was, formed a
single word, and that word was erased.
“Now, what form of a single word is most likely to be carefully erased?
The name of a person, I think?”
“That is so.”
“I’m going home to bed now,” said Freyberger, “to get a few hours’
sleep, but before I go I will ring up Paris.”
“Yes,” said Dennison, “it’s well to give them all the facts now, and
they can make inquiries first thing in the morning.”
“The thing I’m bothered about,” said Freyberger, “is that I don’t know
whether Gassard is still in the Boulevard St-Michel. I was over there
two months ago on that bank-note forgery case, and I routed out all the
photographers in the Latin Quarter. I had a long list. If Gassard’s name
had been on that list, I almost think it would have sprung alive into my
head on reading it on this photo, for I have a memory that is not so
bad.”
He went to the telephone and rang up the Prefecture of Police. The reply
call did not come for five minutes. Then Freyberger put his ear to the
receiver.
A thin, acidulous voice came through the humming of the wires.
Public-domain text, read in full here on John Shaqi.
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